A Quote by Mark Frauenfelder

I wrote and illustrated a science experiment book called 'The Mad Professor'. — © Mark Frauenfelder
I wrote and illustrated a science experiment book called 'The Mad Professor'.
[on L. Ron Hubbard] I'm not in favor of his religion by any means. But he wrote a book called 'Battlefield Earth' that was a very fun science-fiction book.
Eitan Hersh wrote a book in 2015 called 'Hacking the Electorate.' It's pretty much the best book I've seen on the use of data science in U.S. elections and what good evidence shows works and does not work.
I was never exposed as a kid to any real science. I read the occasional popular science book, and I loved Mechanics Illustrated, which had a lot of pseudo-science in it: It wasn't until I got to college that I began to appreciate what physics is all about, and that was really an accident also.
I wrote in my first book that I was broken, and now it just makes me mad every time. This is why writing words in books is so precarious. This is why Jesus only wrote in the sand, right? I just - I hate that I wrote that.
In part I'm just mystified. Here's a woman, Hillary [Clinton], who wrote a book about it takes a "village" to raise children. It wasn't about a book about "it takes a pill." There's a "double think" that the modern person often has. Anything that's called "science" is accepted as an absolute and sweeps reason away.
The first novel I wrote was a monster - clocking in at 180,000 words - but it died a death, a death it deserved. It was called 'The Gods First Make Mad.' It was a good title, but it was the only good thing about the book. I didn't let that put me off.
Possibly he knew, as he wrote this, that he was mad - because inside every madman sits a little sane man saying 'You're mad, you're mad.'
When I was 19 years old, I wrote my first book. I took a computer science class, and the book was garbage. I thought I could write a better one, so I did.
I wrote a book called The Taste of New Wine because I couldn't find a book that talked about the reality of the situation and how we were dishonest and afraid.
It was exciting to work with director Jennifer Baichwal, who made Manufactured Landscapes and others, on the film of Payback: Debt and the Shadow Side of Wealth. It's called, simply, PAYBACK. Jennifer didn't want to do a transliteration of the book, a kind of illustrated version, but to go into the core of the book: owing and being owed, paying and paying back, on all sorts of levels. So she found real-life, visceral stories that embodied the themes of the book.
I went out into the world when I was about 22. I wrote books and I illustrated books and did book covers, and I taught tap-dancing, and I was a model in the art school. I had no ability for any of those things, but what else could I do?
Freud wrote a book on the essence of humor, but he didn't know what he was talking about. Max Eastman wrote a book, The Enjoyment of Laughter, that was a much better book, but nobody bothered to read it.
I happen to love science... Scientists are all slightly mad. There is truth in the stereotype of the mad scientist. They are mad with curiosity.
I once wrote a book on women in science. I realized when I was interviewing them that they were the equivalent of writers, or anyone else who tries to make art out of life. Through science they had reached the expressive.
Whenever I'm asked to autograph a copy of 'Nudge,' the book I wrote with Cass Sunstein, the Harvard law professor, I sign it, 'Nudge for good.' Unfortunately, that is meant as a plea, not an expectation.
I met a guy who had the same theory and wrote a book about it. His name is Walter C. Wright Jr. His book is called Gravity Is a Push. I wrote to him and told him about my father, and he said he wished he'd met him. My father died quite a while ago.
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