A Quote by Mark Frost
Since I've worked in film and television for so long, I've acquired the ability to let the version of the characters that lives in my mind make way for the living, breathing humans who are going to play them on screen. If you cast it right - and casting is about 80% of directing - they will eventually replace or exceed the imaginary image.
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For any artistic person who creates imaginary people, the art is like inhabiting the life and mind of a seven-year-old child with imaginary friends and imaginary events and imaginary grace and imaginary tragedy. Within that alternate universe, the characters do have quite a bit of free will. I know it's happening in my mind and my mind alone, but they seem to have their own ability to shape their destinies. So I'm not shooting for anything. If the characters are vulnerable it's simply because they're very human.
The difference between directing film and directing television is so stark simply because TV is a living breathing organism already when you direct an episode.
I want to cast correctly, and then I want them to live on screen. If I cast the wrong actor, I'm screwed. But, if I cast the right actor, it really works out. The casting process is so important.
I feel like I came to acting late in a way. I was about 26 or 27, and it was imperative that I make a living right away, and it's hard to make a living on stage, so I started in television and film.
I spend a long time casting, but once I've cast a film there's a reason why I selected those people. So I'm hands-on in selecting the cast, hands-off to see what they do with their characters, and hands-on again to offer suggestions.
The casting of any film is around 60% of the film, but it's also about the right casting insight. It's a bit like a house of cards, everyone has to match up in a certain way so the whole structure is grounded. So that's essential, and yes, it's about finding the right people and the right constellation around the lead character.
Celebrities have a way of touching our lives. Perhaps we are influenced by their screen image, or perhaps by their acquired status. Here are some celebrity quotes about Christmas. You will find that just like everybody else, celebrities also enjoy the little pleasures of Christmas.
In the film industry, you are fictitious, just like the characters you play. It has a lot do with a perception about you, and not necessarily you. You are successful because people like that image of you on screen.
Theater will cast in a more open way; Denzel Washington might play Richard III. Television and film don't really cast openly like that. The theater world has always been a leader in diversity.
Since I knew I was going to make a film that was purely about emotions, and I knew that I ran the risk of being accused of amnesia relating to the social film, to prevent this I decided it would be good to have characters who were on the margins of society. These are characters for whom love is really the only way to know that they're alive.
It makes it very easy. I have a beginning, middle, and end, and I don't film for long - about 20 hours usually for a two-hour film - so it's easily watchable in a week for me and the editor. Once I know who the characters are, I only film those characters, unless somebody else forces their way into the film by a scene happening to them or we meet them by chance.
I bristle a little when the argument for film gets put into the nostalgia ghetto. Film is still the highest quality and best-looking image capture medium available. I don't think it always will be. The digital image will get better, and it will eventually surpass the quality of the film image, but it isn't there yet.
I was about 26 or 27 and it was imperative that I make a living right away and it's hard to make a living on stage, so I started in television and film.
What is interesting to me about film, and documentary film in particular, is that I can write about these people, and you trust my judgment, more or less, but when you're confronted yourself with humans who are right there on the screen telling you their story, you make a judgment yourself that is conclusive.
I've been working in television for so long, since 2004, and I just worked nonstop throughout that time and I've learned so much. I've definitely done that 10,000 hours. I know the format really well and I feel comfortable in it. I'm excited about going into something I'm not so comfortable in, which is film.
Anonymity was nothing more than me wanting to make it about the music and not necessarily the image. Of course, you realize later that by going anonymous, there is an image, and it's mysterious. So that kind of backfired. But it also worked to my advantage, since it certainly got people's attention.
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