A Quote by Mark Frost

I have traveled down this path before - 'List of Seven' and 'Twin Peaks' both have thematic similarities - but 'Paladin' took me much deeper into the intuitive underground. Always bearing in mind Joseph Campbell's Rule No. 1: When entering a labyrinth, don't forget your ball of twine.
In a sense, 'Twin Peaks' never really went away. They've got a 'Twin Peaks' convention up in Washington every year, and I'm pretty much recognized on a fairly regular basis from 'Twin Peaks,' so I feel like it never really got too far away.
I have traveled all over the world and gone to the highest peaks, and the densest jungles. The Carpathain Mountians will always be my homeland, but my home is a woman. Solange Sangria. You are home to me. Your body is my home. Your mind. Your heart and soul. It matters little to me where we are.
Rick Neuheisel was recruiting me, and he told me something, and I'll never forget it: he said you make your money in the red zone. If you're down there, that's already three points, so don't turn the ball over. I kind of took that to heart, and I'm always very careful in the red zone.
I saw David Bowie in 'Labyrinth' when I was seven or eight. I told my mom I wanted a Bowie record, so we traveled to the mainland, which was, like, a three-hour trip, and I bought 'Let's Dance' and 'Tonight.' 'Let's Dance' blew my little mind. I became obsessed with it.
Who cares how many miles per hour the ball traveled once it left the bat, or how high the ball traveled in degrees, or how many seconds it took to leave the ballpark?
I've always said that 'Twin Peaks,' to me, was like a novel we filmed every page of.
I think if you do what's in your heart - Joseph Campbell always says you have to follow your bliss, and if you do, doors open where you didn't even realize there were doors.
I'll tell you, 'Fire Walk With Me' is the one for 'Twin Peaks' fans. It's much more haunted than the TV series.
The first thing I think I ever played in public, aside from singing in church, would have been - and this is a true story - when I was about nine or 10 years old, I was obsessed with Twin Peaks. I played the theme from Twin Peaks on a little tiny Casio keyboard. People politely applauded. I just fell in love with that song and thought it was very heartbreaking.
I've never read Joseph Campbell, and I don't know all that much about story archetypes.
For me, Philadelphia was always kind of that city you traveled to as an independent wrestler. I traveled there once or twice a month, doing that seven-to-eight-hour drive from Cleveland to Philly just to try and make a name for myself.
When I was seven, my mom took my twin sister and me to a play. I remember being fascinated about life onstage.
Small players learn to be intuitive, to anticipate, to protect the ball. A guy who weighs 90 kilos doesn't move like one who weighs 60. In the playground I always played against much bigger kids and I always wanted the ball. Without it, I feel lost.
Frank Sinatra taught me how to do him. It took me seven years to master him. He would tell me, tap your foot, Rich, and don't forget to grasp your sleeve.
Your insult has offended me. If we were at the Peaks, we would have to duel in traditional alil'tiki'i fashion." "Which is what?" Teft asked. "With spears?" Rock laughed. "No, no. We upon the Peaks are not barbarians like you down here." "How then?" Kaladin asked, genuinely curious. "Well," Rock said, "is involving much mudbeer and singing." “How's that a duel?” "He who can still sing after the most drinks is winner. Plus, soon' everyone is so drunk that they forget what argument was about." Teft laughed. "Beats knives at dawn, I suppose.
As good as 'Twin Peaks' was, and I mean, it's a superb work that's way ahead of its time, and we've never caught up, and we never will... I mean, we will never catch up to 'Twin Peaks.'
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