I love the Shakespeare history plays; I love the struggle for the crown as a plot.
I love working fictional characters into a piece of history. It plays to my strengths, which are characterization and dialogue, and assists me in my admitted weakness, plot.
I love to have real people of history interact with my fictional characters. History gives me the plot. I research the period meticulously, and then I blend in a romantic and sensual love story to give it balance. The heavier the history, the more romantic the couple must be.
I have been right, Basil, haven’t I, to take my love out of poetry, and to find my wife in Shakespeare’s plays? Lips that Shakespeare taught to speak have whispered their secret in my ear. I have had the arms of Rosalind around me, and kissed Juliet on the mouth.
Most of my career has been spent with the RSC doing Shakespeare, and the thing you learn from Shakespeare is that his historical plays don't bear anything other than a basic resemblance to history.
I love that he's both comic and tragic, and highly poetic but also just dirty at times. ... I love that within the world of Shakespeare's plays, the whole world is sort of encompassed in a certain way.
The reason that I'm a writer today is because of Shakespeare and falling in love with Shakespeare when I was 8. That was through the movies, actually - through Olivier's 'Hamlet.' That was the first thing that got me to fall in love with Shakespeare and movies and everything in one big preadolescent rush.
The most charming of theories holds that someone other than Shakespeare wrote Shakespeare's plays -- that he was of too low a state, and of insufficient education. But where in the wide history of the world do we find art created by the excessively wealthy, powerful, or educated?
We are all making a crown for Jesus out of these daily lives of ours, either a crown of golden, divine love, studded with gems of sacrifice and adoration, or a thorny crown, filled with the cruel briars of unbelief, or selfishness, and sin.
Sometimes it's a struggle to get over self-love first. Sometimes in this struggle for love, we give up, or lose everything, and we still don't achieve love. Some people don't even recognize real love when it comes without being called or sought.
The history of mankind, the history of salvation, passes by way of the family... The family is placed at the center of the great struggle between good and evil, between life and death, between love and all that is opposed to love.
I think more than anything, you should do what you love. If you love classical playwrights, seek out companies or places that are doing that. If you love modern playwrights, try to find groups who are writing new plays or working on new plays. If you love television, watch as much theater and film as you can.
I'm not really smart, but I'm dedicated. I can be good at anything if I love it and dedicate myself. And I love history. I love science. I love music. I love golf. I love learning. I love life.
I love physical comedy. I love Oscar Wilde, I love Shakespeare comedies, I love improv.
I am spellbound by the plays of Shakespeare. And I am spellbound by the second law of thermodynamics. The great ideas in science, like the Cro-Magnon paintings and the plays of Shakespeare, are part of our cultural heritage.
If you look at Shakespeare's history plays, what the setting of monarchy allows is this extraordinary intensification of emotions and predicament.