A Quote by Mark Getty

PhotoDisc is an entirely digital provider in both CD-ROM and the Internet. Getty was primarily an analog distributor. — © Mark Getty
PhotoDisc is an entirely digital provider in both CD-ROM and the Internet. Getty was primarily an analog distributor.
We don't believe it's possible to protect digital content. What's new is this amazingly efficient distribution system for stolen property called the Internet-- and no one's gonna shut down the Internet. And it only takes one stolen copy to be on the Internet. And the way we expressed it to them is: Pick one lock--open every door. It only takes one person to pick a lock. Worst case: Somebody just takes the analog outputs of their CD player and rerecords it-- puts it on the Internet. You'll never stop that. So what you have to do is compete with it.
Luckily for both the tech industry and Hollywood, there is only one thing that counts - use of the Internet is still growing exponentially, as consumers shift to digital everything from analog.
We believe that the next generation of powerful mobile companies have a deep understanding of the world as a unified whole, where digital and analog experiences affect each other rather than transporting analog experiences into the digital realm.
'Brace the Wave' is an acoustic-electric record recorded with electricity on analog-digital and digitally-analog equipment.
People from Tony Stone refused to let PhotoDisc become part of the industry trade association. Then we bought PhotoDisc. There was complete shock.
People wanted me to do a CD-ROM of 'Hitchhiker's,' and I thought, 'No, no.' I didn't want to just sort of reverse-engineer yet another thing from a book I'd already written. I think that the digital media are interesting enough in their own right to be worth originating something in.
Both analog and digital developments have intensified the viral nature of sonic culture.
An Internet service provider reasonably needs to know your name and address. But it's hard to imagine why a provider would need to collect your Internet browsing habits other than to sell your data.
I love music with real instruments. I'm not one of those guys that's a purist about analog vs. digital, but I love the analog approach. Sonically, I connect to that.
We're kind of looking at a future where people acknowledge the hybridization of digital and analog, and appreciate and understand that they both affect each other.
I don't do anything digital. Everything is analog, and that's a limitation for me. However, in my world, it's not a limitation at all because I don't create the type of music that would generally be created by musicians that work with digital recording studios, and/or digital equipment, as far as production is concerned.
While still in college, I started my first Internet company - American Information Systems - a dial-up Internet provider in the Internet's formative years.
One day, digital will be it. Analog will just be another oddity, and that's fine, too. I have no great misgivings about it, but there will always be something to analog. It's the smell of the tape and all that visceral, physical stuff.
People try to function in the real world - the analog world - while they're texting in the digital world, and they run into the car in front of them. It doesn't work to be in both.
I am a big fan of A.R. Rahman and Mani Sharma, and I went to a shop to buy these music directors' CD. But I had only Rs 100, and Rahman's CD cost more, so I couldn't buy both. So I bought Rahman's CD and stole Mani Sharma's CD.
I'm a huge Boards Of Canada fan. They're my favorite contemporary band. The interesting thing about Boards Of Canada is, they use analog and digital recording techniques, and nobody really knows how they get their sound. But I think that very warm, enveloping analog sound.
This site uses cookies to ensure you get the best experience. More info...
Got it!