A Quote by Mark Goulston

I can still remember my first experience of standing at the edge of the Grand Canyon and looking into it. It was so awesome, it took a fair amount of restraint to prevent me from jumping into it, because I was certain I could fly.
The first concert that my parents took me to was in this canyon in Saudi Arabia called Buttermilk Canyon. You sleep under the stars in the desert, and ex-pats - German, Swiss, Canadian, American - would play classical music that filled the whole canyon.
The Colorado River did not form the Grand Canyon. The Grand Canyon was formed as the flood went down.
The really wonderful moments of joy in this world are not the moments of self-satisfaction, but self-forgetfulness. Standing on the edge of the Grand Canyon and contemplating your own greatness is pathological. At such moments we are made for a magnificent joy that comes from outside ourselves.
My brother is in me. When we remember somebody else, in a certain way they are still alive. I see my brother - he is still young - looking to the Dolomites where we did our ascents. I remember those moments, so he is still together with me.
The Grand Prix Final is an opportunity for me to go out and experience new jumping passes in competition. I put in a triple loop-half loop-triple Salchow in the second of the program. It's a very difficult jumping pass so this is a chance for me to try out the new elements and the adjusted jumping layout to get prepared for nationals.
Working with Jack [Nicholson] is sort of like standing in front of the Grand Canyon.
It's like trying to describe what you feel when you're standing on the rim of the Grand Canyon or remembering your first love or the birth of your child. You have to be there to really know what it's like.
As for the flood carving Grand Canyon, why don't they explain to us why the top of the Canyon is 4,000ft higher than where the river (Colorado River) enters the canyon? Why don't they explain to us how rivers miraculously flowed up-hill for millions of years to finally cut the groove deep enough so they could flow downhill?
If you hear Thelonious Monk play a run that goes from the top of the piano, OK, he has opened up the Grand Canyon with that. He's the river that's carved this entire space that we call the Grand Canyon. He does that with one run. He lets you know, like, what the possibility of the sound of the piano can do.
There's a grand-canyon sized gulf between explanation and experience.
Bryce Canyon isn't as famous as the Grand Canyon, but it is just incredible - nothing compares to it.
There is a certain amount of racist behaviour, a certain amount of this mindset, in the darker recesses of every community. It needs to be called what it is, which is vile and hateful. It's starting a national conversation, which is probably long overdue. Because we do, as a country, have an awkward problem with a certain amount of racism in the hearts of I believe a small number of people, but I still believe we have to chase it out.
I wish that I had re-edited 'Theft By Finding' after I did the audio. Because the audio took 40 hours in the studio, and I was standing on my feet. So toward the end of it I'd be looking at certain diary entries and I would think, "Is this really worth my time to read this out loud?" And I would think, "No, it is not." I would have cut out 75 pages, just because I was tired of standing up.
The photos that interest me most, I can't say why I took them. I think my gift is that I still work with a certain amount of unconsciousness.
With what you don't know about me, I could just about fill the Grand Canyon.
It doesn't have to be the Grand Canyon, it could be a city street, it could be the face of another human being - Everything is full of wonder.
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