A Quote by Mark Haddon

I like having my back pressed against a wall and being made to work harder so I don't embarrass myself. — © Mark Haddon
I like having my back pressed against a wall and being made to work harder so I don't embarrass myself.
The seen and seeing softly mutually strike Their glass barrier that arrests the sight. But the world's being hides in the volcanoes And the foul history pressed into its core; And to myself my being is my childhood And passion and entrails and the roots of senses; I'm pressed into the inside of a mask At the back of love, the back of air, the back of light.
As a young girl, I'm always going to have to work a bit harder to prove myself; that's just reality. But having to work harder makes me feel like girls are stronger, too.
However varied you try to make your work, you still bump up against the end of you. You keep knocking into a wall, and the wall is your own skull. But when you adapt somebody's work, it's like a door into somewhere else. It feels like a holiday from myself.
I feel like having a son made me go harder and work harder. And now that I got a daughter, it's the same grind, staying focused on what I have to do for them.
It's incredibly easy to get caught up in an activity trap, in the busy-ness of life, to work harder and harder at climbing the ladder of success only to discover it's leaning against the wrong wall. It is possible to be busy - very busy - without being very effective.
I like having my back against the wall and doing things I'm not supposed to be good at.
Rule of storytelling: When a character is shoved against a wall, shove them against a wall harder.
For a moment there I convinced myself I had my back against a wall, and suddenly the only wall I find my back against is that of a 10 by 10 writing shack in Glendale, where the summer days average between 90 and 100 and each song can be quantified in the sweat it took to write it. There is no ac in hell, and sometimes you've got to get down to get up. The train is gaining speed I should think.
Riding upon the back of a waterhorse - what mortal had ever stayed in such a seat for so long? On a horse made of cold currents and liquid convergences, jests and trickery - pressed against a hide like the burnished sea of midnight, thing look different to the rider.
If a mathematician wishes to disparage the work of one of his colleagues, say, A, the most effective method he finds for doing this is to ask where the results can be applied. The hard pressed man, with his back against the wall, finally unearths the researches of another mathematician B as the locus of the application of his own results. If next B is plagued with a similar question, he will refer to another mathematician C. After a few steps of this kind we find ourselves referred back to the researches of A, and in this way the chain closes.
If you ask me about my success story, the secret is I know when to pull myself back. I don't overexpose myself; I give proper gaps whenever I can. I do not over spend myself, I keep myself busy in lot of activities. I really work hard; I work harder than others, by focussing on my fitness level and studying music.
He kissed me hard and I kissed him back harder, like it was the end of an era that had lasted all of my life. Being near Tom and Doug at night kept me from having to say to myself I am not afraid whenever I heard a branch snap in the dark or the wind shook so fiercely it seemed something bad was about to happen. But I wasn't out here to keep myself from having to say I am not afraid. I'd come, I'd realized, to stare that fear down, to stare everything down, really - all that I'd done to myself and all that had been done to me. I couldn't do that while tagging along with someone else.
I'm going from doing all of the work to having to delegate the work - which is almost harder for me than doing the work myself. I'm a lousy delegator, but I'm learning.
I don't like not saying anything. I don't like having a wall between me and the audience. I want to break down that wall and communicate with the people in the room, 'cause we're there together and we're having a nice moment.
The more serious the situation, the funnier the comedy can be. The greatest comedy plays against the greatest tragedy. Comedy is a red rubber ball and if you throw it against a soft, funny wall, it will not come back. But if you throw it against the hard wall of ultimate reality, it will bounce back and be very lively. Very, very few people understand this.
Having this other career in music made me work harder as an actress. It's made me more professional.
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