A Quote by Mark Haddon
I think Britain has this tradition which suggests that if you make the readers laugh too much, you can't really be serious. Whereas, I think one of the functions laughter can perform in a book, as in life, is that it's a reaction to genuine horror.
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I love a good laugh as well, I think that's so important in life, which is probably why I've dabbled in comedy writing as well as horror. I think if you can make someone laugh or smile it's the most special thing in the world.
Obviously loss of family is huge and critical, but I think really it's more about losing a sense of family. The horror of that kind of incompleteness. Writing this book, I tried not to think about my father, which does no one any good fictionally. I did try to imagine not just the horror of that moment, but the horror of having witnessed it, and the lifelong void. And I think that's what's so frightening.
I think that laughter is very close to terror and horror. Maybe that's just me, but that sort of all - over rush that happens when you are either laughing or terrified or weeping...? I think that comedians, in and of themselves, make other people laugh because they aren't necessarily the happiest people in the world. So they know a lot about dark things.
When you really laugh, for those few moments you are in a deep meditative state. Thinking stops. It is impossible to laugh and think together...If you are still thinking. laughter will be just so-so...It will be a crippled laughter.
If you make just hardcore horror, there's a limited audience for that. Whereas if it's horror mixed with action, I think you kinda broaden your potential fanbase.
The book is about zombies, in that it is the over-arching theme, but what's going on is the story of these people and how these survivors deal. I think that's so much more of an interesting story, and that's what really gets and hooks these readers into the book and the show. It's a mix of fans of drama, fans of AMC, fans of horror and fans of Frank [Darabont]. It's a lot of people just coming together and realizing a genre doesn't have to be fixed in one specific detail.
When tradition is thought to state the way things really are, it becomes the director and judge of our lives; we are, in effect, imprisoned by it. On the other hand, tradition can be understood as a pointer to that which is beyond tradition: the sacred. Then it functions not as a prison but as a lens.
Any narrative, whether it's fiction or not, you have to approach it as though it really happened to you. I think that's the only way to get inside the characters and make the narrative work. It's a storytelling tradition, and I think to come off as genuine then you have to really approach it that way.
I think laughter is the best medicine. If you can't laugh at yourself, then you can't laugh at life and the silliness of it all.
It's really, really eclectic. It's not a business book [Girlboss], but it's still a book that should make you want to get up and do things and think about your life. And for a book that looks that beautiful on a coffee table, I think that's a very special thing. So it's hopefully a new genre I guess, of book. It was so fun to put together and fun to write, that was really a pleasure.
I think there are readers out there and I don't think the book is dead. And more importantly I don't think readers have to choose between literary and commercial fiction.
We drink too much, smoke too much, spend too recklessly, laugh too little, drive too fast, get too angry, stay up too late, get up too tired, read too little, watch tv too much. We have multiplied our possessions but reduced our values. We talk too much, love too seldom, and hate too often. We've learned how to make a living but not a life. We've added years to life, not life to years.
That was my dad's sense of, you know, laughing at himself, laughing at existence, the universe, all of it and not being too serious about what we do with because at the end of the day if you're here it's a blessing. It's you know life is hard. Life is hard for everybody at some point, but it's those who are able to laugh at it and laugh with it and roll with it that ultimately I think live the fulfilling lives that we're all trying to do. You know, and big step there is to not take yourself too seriously from the start.
I think it's one of the nicest privileges as an actor is to know that you can move people in one moment, make them think about their lives, or make them laugh or make them cry or make them understand something. Or just make them feel something because I think so many of us, including myself, spend too much time not feeling enough, you know?
It's just my natural way - to be funny. I don't know why that is. But as I've said, humor is a quick cover for shock, horror, confusion. The critics hate funny writers for the most part. They think funny is not serious, but I think that funny can be even more serious than nonfunny. And it can be more affecting, too.
People like to have fun and they like to laugh. And when you laugh, it's much easier to convince people and they laugh with you, rather than being angry. And I think laughter's always nice and I've always liked it.
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