A Quote by Mark Hamill

I live in a sort of insular world. It's mostly my family, my house, staying home and working. — © Mark Hamill
I live in a sort of insular world. It's mostly my family, my house, staying home and working.
I don't think about being the Colin Firth of the gardening world. I live a very insular world based around my family and my home, and to them I'm not the Colin Firth of anything.
Our home in Dubai is a beach house, so it's more casual and not formal in its tone. It's a holiday home. We are mostly in the pool or on the beach or in the sun. It's an outdoor place for the family. So there are mudbikes, a boat, football posts, and the pool is heated.
Staying in the house breeds a sort of insanity always. Every house is, in this sense, a hospital.
Let's face it, staying at home has its appeal. The modern family set-up with both parents working is fraught with challenges most of us will have experienced.
I am mostly at home and I do my housework, I read and I love watching documentaries. In short, I love staying at home.
It was just how my parents treated me. It was the world they decided to show me. I was really sheltered. My grandmother kept me locked in the house when I was staying, you know, with the family in Soweto. And every household, for instance, had to have a registry of everyone who lived in that house.
I was six when the war started. It was terrible. My house was destroyed, so we went to live with my grandparents. The whole family was there, maybe 15 people all staying in an apartment about 35m square. It was very hard.
I have a lot of projects I get asked for, but the opera house really is my house - my home. It's where I feel comfortable and confident and I get to explore these big human stories and dramas and collaborate with extraordinary people, great talented artists and administrators and other people who are passionate about it and support it. It's like working with a great big family - the family you love and enjoy being with all the time.
I've always been an independent wrestler at heart. You say I haven't had a 'home' but a company is not a home, a house is a home, a family is a home and I have that.
In life, (the fashion world) is full of sharks. In this world the young girls lose themselves; become the property of others, live but for the job and their craziness...they don't know anymore where their home is. Many take drugs. It's strange. Perhaps the girls understand that this does not work for me. I don't have many friendships with other models. I respect them and enjoy working with them, but I probably would not invite them into my home. My house is like my heart, and I open it only to those with whom I have a close relationship.
This is the great new problem of mankind. We have inherited a large house, a great ‘world house’ in which we have to live together– black and white, Easterner and Westerner, Gentile and Jew, Catholic and Protestant, Muslim and Hindu– a family unduly separated in ideas, culture and interest, who, because we can never again live apart, must learn somehow to live with each other in peace.
I was a house dad. Once, my wife was working as a dispatcher at the fire department, and I was staying home and writing while baby-sitting my son, who hardly ever slept. So I wrote in twenty-minute patches. Some of that early stuff is just dreadful. I got a thousand rejects.
I came from a working class family. We lived in a prefab. We had nothing, but we had everything. I was out of the house at 12 to live with my grandmother, who was on her own, and I was expected to be the man about the house. At 15, I was living in digs in London after signing for Tottenham.
I missed my home - like the physicality of my home, I missed my friends and my family mostly and just hanging out and being in your home country - culturally it feels right and that is what I miss.
I sort of have the belief that you work being your character out while you're working on it, or that's been my experience so far. I throw myself into it 100% and try to live in that world, and then when it's over, just sort of be able to leave it behind.
It's hard for two actors to be together. Take the traveling, for instance. It winds up being a long distance relationship, all the time, because one's working here and one's working there, or one's staying at home and one's off someplace else.
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