A Quote by Mark Hamill
There's something fascinating about watching artists draw.
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There's a real hunger to understand where objects come from, how artists show their understanding of materials. And there's something fascinating about watching people work, whether it's someone engraving a gun or sewing beautiful clothes together. I know that myself; I'll make a piece of furniture and feel the wood's grain talking to me.
If you're an artist, you want to draw from real life; you want to draw from experiences, emotion, and it's something that a lot of musicians juggle with. I've always found it so fascinating.
There's just something fascinating to me about watching a business interaction unfold, and the negotiation. And how everything is negotiable in life.
Watching something being constructed, whether you're passing a building site or whether you're watching an artist at work, is fascinating, and I think that's the enjoyment.
When I hosted 'Win, Lose or Draw,' it was always fascinating to me that no one knew where anything was when they had to draw a destination.
I like the idea of watching the sun go down in the ocean. I've always felt comfortable about that, I like sunsets. There's something about a westward movement that seems fascinating, although the Irish refer to going West as a metaphor for dying. I see it differently.
I love knowing and learning about people around the world displaying my art online. Also, it's how I learn about new artists that are in various parts of the world. The positive thing about Tumblr and Instagram is that they're a fantastic platform for art lovers. I also like, when I search for my art and it says, "see also or related artists," and I see those other artists that relate to me, at least according to the internet. I think it's fascinating - it's interesting to see hashtags people are using in relation to my work. It's another tool of communication.
In Grade 2, when we had to do a presentation in front of the class, I'd always do things about Ireland or Italy. I could draw maps; I could name all the capitals: I was completely drawn to other lands. I discovered with time that it's a thirst for other people, for otherness, for something fascinating and mysterious.
When you're watching a Bond movie, if there's a violent death, there's something about cleverly chosen twists, or what props are used, or some way that he's doing something that feels like an ironic twist, that feels like it gives the audience permission to enjoy watching it and to enjoy watching something that's otherwise just brutality.
I guess artists are living inspiration. There's something very pure about a person that fantasizes. I like hearing their stories, watching them work. Their take on the world interests me. It's not unified.
I'd been watching documentaries about early rock where white artists took 'race records' from blues and soul musicians to achieve mass appeal. I wanted to flip that and do an EP covering only white artists.
I couldn't draw anything that was too outlandish or too horrible. I never did that. What I did draw was something intriguing. There was something about this monster that you could live with. If you saw him you wouldn't faint dead away.
What is so fascinating about sitting around watching a bunch of pituitary cases stuff a ball through a hoop?
On a day-to-day level, I love watching my kids accomplish the little things that seem trivial but are really milestones: seeing my son hit a baseball or watching my daughter draw something that actually looks like what she says she's drawing. Or hearing them say 'I love you.'
When we talk about contemporary art and contemporary artists, we usually imagine artists who are alive. But I feel very uncomfortable about placing a border between living artists and dead artists.
A painter told me that nobody could draw a tree without in some sort becoming a tree; or draw a child by studying the outlines of its form merely but by watching for a time his motions and plays, the painter enters into his nature and can then draw him at every attitude.
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