A Quote by Mark Harmon
When I was in acting classes early on, there were so many people in these classes who were doing great work, and you'd just look at them and say, 'Wow, I hope to someday be like that.' And yet these people never worked. You never saw them.
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I've never worked with an acting coach, but my parents had acting classes and I grew up around them my whole life just because I didn't have a babysitter.
But 'Hey Dude' was shot in Arizona, and that took me to the West Coast. We did 65 episodes. It was not a show that a ton of people saw, so it was like doing acting classes and getting paid for it. At that point I had the acting bug. So I went to L.A. to give it a try and never left.
'Hey Dude' was shot in Arizona, and that took me to the West Coast. We did 65 episodes. It was not a show that a ton of people saw, so it was like doing acting classes and getting paid for it. At that point I had the acting bug. So I went to L.A. to give it a try and never left.
I was in acting classes from the age of 9, dance classes, music classes - my mom put a lot of energy and attention into me, so no matter what happened in my life, I always had this basis of discipline. So I really worked hard for everything I had from a very early age.
Dance was one of the things that led me to acting even though I say I fell in love with acting fairly early on and its true but around 16 and 17 I got heavily into dance but I think I just came into it too late and I was never going to be really great at it so I let it go and the dance led to more acting classes.
I never, with my eyes, saw the mistreatment of any black person. Not once. Where we lived was all farmers. The blacks worked for the farmers. I hoed cotton with them. I'm with the blacks, because we're white trash. We're going across the field.... They're singing and happy. I never heard one of them, one black person, say, I tell you what: These doggone white people - not a word!... Pre-entitlement, pre-welfare, you say: Were they happy? They were godly; they were happy; no one was singing the blues.
People still make New Year's resolutions? Wow. I figured those were pointless once I perfected myself by directing, writing, and acting in Garden State. I guess it makes sense, though. It gives people a chance to hope that they can become as great as me someday.
Third, for people who aren't doing it already, take classes - they're worthwhile. Workshops or classes - a workshop is where you do actually get feedback on your work, not just something where you go and sit for a day.
I was really grateful for the photography classes, the art classes, and the video classes. They would let me skip all my other classes and stay and work on my projects.
Similarly, the press never tested many of the assumptions about WMDs. One of the great myths about the WMD issue is that everybody believed Iraq had them. Well, that's not true. There were a number of people in the intelligence community and the State Department who were skeptical, and many analysts in the Department of Energy were dubious about Iraq's nuclear capability. There were also people like Scott Ritter who were saying quite accurately what was going on.
If the Bible is correct, and the Earth is only 6,000 years old, that means there were no dinosaurs, and museum curators have been messing with us. Or the dinosaurs were here, and we never noticed them. Or a lot of people saw them but didn't want to say anything.
What you need to know to direct a movie is [of] such great variety. I've worked with people who were maestros, who know everything. I've worked with people who were empty and lost, who had no clue what they were doing. You wouldn't hire them to paint your apartment. And then there's everything in-between. There's no list of skills you have to have to sit in that chair.
People were always sorry. Sorry they had done what they had done, sorry they were doing what they were doing, sorry they were going to do what they were going to do; but they still did whatever it is. The sorrow never stopped them; it just made them feel better. And so the sorrow never stopped.
Do you think the people who were trying to reach to the Everest were not full of doubts? For a hundred years, how many people tried and how many people lost their lives? Do you know how many people never came back? But, still, people come from all over the world, risking, knowing they may never return. For them it is worth it - because in the very risk something is born inside of them: the center. It is born only in the risk. That's the beauty of risk, the gift of risk.
I looked for acting classes in Paris just to do something different than modeling. And then one day I just thought, 'Okay, that's enough, I have to start doing something.' I went to the acting agency and I just told them I wanted to act and asked them if they would give me a chance, and they did.
When I first moved out to L.A., I was still 17. The deal with my dad was that I would be able to live out there if I were to treat my acting classes like college classes. So when I moved, that's all I did: trained and auditioned.
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