A Quote by Mark Harmon
Some people say it's scarier to direct the people you work with; not me, I'm a team guy.
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If there's any success that I've had, it is a direct reflection of the people I work with. We have a very smart team and an extremely hardworking team, both here in Washington and back in Illinois.
I have a bad reputation in England, and I don't know why. Maybe it's something that has just followed me. But one thing I always say is that 90% of the people I've played with would say I'm an amazing guy, a great teammate. Other people, those who work on the gate at every stadium I've played at, will tell you I am a humble guy and a nice person.
People say 'Poor guy.' That insults me. I despise sympathy. So I screwed up. I made some mistakes. 'Poor guy,' like I'm some victim. There's nothing poor about me.
I've argued this with a lot of people in my life. When people say God blessed me with a beautiful jump shot, it really pisses me off. I tell those people, 'Don't undermine the work I've put in every day.' Not some days. Every day. Ask anyone who has been on a team with me who shoots the most. Go back to Seattle and Milwaukee and ask them. The answer is me -- not because it's a competition, but because that's how I prepare.
I shouldn't have to come out and say, 'Hey, I should be a starter again.' There's a lot of guys that say that, that shouldn't be starters. The key is to go out on the field and lead your team to show people that, 'Hey, this guy is a good guy in the locker room. He can lead a team. He did it on the field. He's shown it.'
The team doctor, the team trainers, they work for the team. And I love 'em, you know. They're some good people, you know. They want to see you do good. But at the same time, they work for the team, you know. They're trying to do whatever they can to get you back on the field and make your team look good.
I'm usually the last to see my influence in other people's work. People give me stuff and say "Oh look, this guy's ripping you off," and I'm like "What do you mean?" Often I see the people that I've ripped off filtered into my own work. In other people's work, I can only see specific, tiny little instances of inflections stolen from another artist.
To put it simply, people who are strangers to me will come up and say, 'Are you that guy from that show?' I'll be like, 'Yeah,' and they'll say, 'Oh, nice job.' And really, for the most part, it's people showing appreciation for the work you've done.
People say to me all the time that I threw some money into some guy's coffee cup [by accident, thinking they were poor]. People do make the same sort of mistake. I've made attempts to volunteer that have been calamitous!
I would say this: no matter what style you play, at some point, the team that beats you, people are going to say, 'I guess your style doesn't work.'
I always thought that for me the unassuming, friendly looking guy next door is certainly scarier as a monster than the monsterish looking predator, because he can lure people in, it's easier.
For some reason, I'm the guy people love to hate, which I think is weird. People who know me find that very strange, but for some reason, I am. I don't mind being that guy - I have fun with it.
I would hate to say as a non-African-American person that it would be wrong for a black person to direct white people in a movie. Wouldn't that be awful of me to say that? The only sympathizing thing I might say for people that want to [grumble] is that a filmmaker should have an understanding for the place where the people you're portraying are coming from.
I like to think I've been a good example and an inspiration to some people. And some people say that about me, but I'm just going about my work and doing what I do best. I'm a very professional 'Me.'
Some people dig jazz, some people dig classical music, some people dig rock. Everyone is so concerned about who they like. They always say, 'This guy is the best,' 'No, this guy is the best.' But I think everyone is great. I really don't have barriers to any type of music. I could listen to everything from metal to classical music to anything else.
'Bruce Lee' didn't work, and there were apprehensions about what the fans might say. People might have commented that Charan could have waited for some time before selecting me again. But that's what makes it a real achievement to me. People want to work with me because of the comfort level; nobody would work with you again otherwise.
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