A Quote by Mark Heard

I much prefer making music to talking about it. There's something visceral about instruments and voices that transcends words. — © Mark Heard
I much prefer making music to talking about it. There's something visceral about instruments and voices that transcends words.
A famous violinist once said. Music transcends words. By exchanging notes, you get to know one another, to understand one another. As if your souls were connected and your hearts were overlapping. It's a conversation through instruments. A miracle that creates harmony. In that moment, music transcends words.
If you're here tonight to support me, you shouldn't be here. This is not about me. This is about something far more important. It transcends race, it transcends politics, it transcends gender. This is about the laws of God.
One of the big mysteries of music is, if you take music without words, it means something to us because we know it's about something. It's about something important humanly, but since there are no words, nobody knows what it's about.
I've always been an artist who's about being real and about telling the truth and making music with integrity and talking about something.
For me music is central, so when one's talking about poetry, for the most part Plato's talking primarily about words, where I talk about notes, I talk about tone, I talk about timbre, I talk about rhythms.
My first album was mainly dealing with street issues, and it was 'coded': it was called 'Reasonable Doubt.' So the things I was talking about... I was talking about in slang, and it was something that people in the music business was not really privy to. They didn't understand totally what I was saying or what I was talking about.
So when you're talking about lyrics in the context of music, it's not just about what the words mean, and what you were thinking about when you wrote it. It's not cognitive in that same way. It's almost like music turns words into touch, which is hard to describe, like the feeling of your shirt on your back. It's a pretty delicate thing to try to put into words. You just feel it.
I prefer being able to choose who I want to help or what I want to improve in the world by making a lot of money myself rather than just going out there and talking about things. If you have money to do things, it's much better than just talking about them.
There's a great energy and drive that takes precedence in a lot of rock and pop. It's about making a strong visceral connection. That's something that I think great classical music can have, too.
Something big is going on. I'm talking about a society that refuses to allow injustice just to persist without making our voices heard and without organizing to bring about effective change through our voting system.
At that time, 73 and 74, I became aware that there were a number of us making instruments. Max Eastley was a good friend and he was making instruments, Paul Burwell and I were making instruments, Evan Parker was making instruments, and we knew Hugh Davies, who was a real pioneer of these amplified instruments.
Prior to stepping on stage, I prefer to continue being myself, whether that is making jokes with others, talking about other non-bodybuilding topics, or just sitting around listening to music.
I find in America, actually, I actually prefer it because it's all about energy. It's all about making everyone feel happy and smiling. In the U.K. sometimes people are a bit too concerned about, 'Did you play that track? Did you play that track?' It's not so much about the music in the U.K.
Talking about music and talking about drums brings me back to my beginning and the simplicity, and the excitement about trying to play something and see if it works for your band.
It seems to me that we make a terrible mistake in talking about Trump as some kind of essence of evil. Trump is symptomatic of something much deeper in the culture, whether we're talking about the militarization of everyday life, whether we're talking about the criminalization of social problems, or whether we're talking about the way in which money has absolutely corrupted politics. This is a country that is sliding into authoritarianism.
I wouldn't have known when I was a teenager that when I was coming up to being a sixty-year-old woman that I'd be making music, I'd be recording music, talking about music, and incorporating my views on the world into the music-making. So it's a very rarefied place to be, and I'm very grateful for that.
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