A Quote by Mark Helprin

their powerlessness, innocence, and imagination fused to enable them to turn time inside out, travel on the wind, and enter the souls of animals. — © Mark Helprin
their powerlessness, innocence, and imagination fused to enable them to turn time inside out, travel on the wind, and enter the souls of animals.
There are a lot of threats out there. Amazon can enter the travel market. Google could enter the accommodation space. But that is not something that we actively focus on.
From the oyster to the eagle, from the swine to the tiger, all animals are to be found in men and each of them exists in some man, sometimes several at the time. Animals are nothing but the portrayal of our virtues and vices made manifest to our eyes, the visible reflections of our souls. God displays them to us to give us food for thought.
When I started Ashes and Snow in 1992, I set out to explore the relationship between man and animals from the inside out. In discovering the shared language and poetic sensibilities of all animals, I am working towards restoring the common ground that once existed when people lived in harmony with animals.
I've always been aware of the otherworld, of spirits that exist in that twilight place that lies in the corner of our eyes, of fairie and stranger things still that we spy only when we're not really paying attention to them, whispers and flickering shadows, here one moment, gone the instant we turn our heads for a closer look. But I couldn't always find them. And when I did, for a long time I thought they were only this excess of imagination that I carry around inside me, that somehow it was leaking out of me into the world.
Unlike some of the time-travel movies I love, like 'Primer' or '12 Monkeys,' 'Looper' is not about time travel. It's about this situation that time travel creates and the people dealing with that situation. So narratively, the big challenge was to have time travel get out of the way.
Souls love. That’s what souls do. Egos don’t, but souls do. Become a soul, look around, and you’ll be amazed-all the beings around you are souls. Be one, see one. When many people have this heart connection, then we will know that we are all one, we human beings all over the planet. We will be one. One love. And don’t leave out the animals, and trees, and clouds, and galaxies-it’s all one. It’s one energy.
One can't save and then pitchfork souls into heaven... Souls are more or less securely fastened to bodies... And as you can't get the souls out and deal with them separately, you have to take them both together.
I think all animals have souls. I feel certain that if we have souls, octopuses have souls, too. If you grant something a soul, it demands a certain level of sacredness. Look around us. The world is holy. It is full of souls.
The innocence of childhood is like the innocence of a lot of animals.
I think I live inside the plane! I never have time to unpack; I'm always leaving in two days again. I travel a lot, and at the beginning it was really fun. The first time I went inside a plane, I was 15 years old and I had so much fun. I like to travel all over the world and learn [about] new cultures. Not that many people have the opportunity to do that.
As actors, the magic is in the almost spiritual experience to really enter another world, to really enter a belief of being in another person's shoes and to really take on their experiences as someone else has written them and imagined them. It's kind of a sacred thing. It's a very spiritual experience. That in itself for me is the main thing that keeps me coming back to it. I like to travel, but for me, this is the greatest travel.
Too many of us seem far too fond of narratives of our powerlessness, maybe because powerlessness lets us off the hook... But we don't need everyone on board; we don't need one magic person in office; we need ourselves. To act. It's the wind, not the weathervanes.
Were-Hunters are different from humans. (Ravyn) You mean other than the fact that you live for several hundred years, can turn into animals, time travel, and wave your hand to make freaky stuff happen? (Susan)
My fictional worlds were those of a fabulist, of an intellectual fantasist. I was the lawgiver, and the countries and inhabitants of my imagination were answerable to me. If I wished for a man to levitate; to enter another's story by rowboat or by intoning a sentence or by performing a shadow-puppet play; if I wanted him to become a swarm of intelligent elementary particles and enter the Internet and travel into the past and far into the future, it was so.
Russia's not too great about cooperating with us when there are criminals inside their borders, but all of then like to travel. And so if they travel grabbing them and locking and putting handcuffs on them to send a message that that's not a freebie.
Gentle souls! You play your love on the violin. The crude ones play it on the drums violently. But can you turn yourselves inside out, like me And become just two lips entirely?
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