A Quote by Mark Helprin

I don't aspire at present to be king of the hill in American literature. — © Mark Helprin
I don't aspire at present to be king of the hill in American literature.
When me and Mike Tyson were around, we played king of the hill. Whoever comes to the hill, you get your behind whooped. We don't pick and choose. I fought guys when I had fractured wrists and ribs, bad backs, I didn't care. I was the king of the hill; Tyson was king of the hill. When we left, people were trying to get the 'most money fight.'
I am fine with my books being categorized as African-American literature but I hope they are also considered Haitian-American literature and American literature. All of these things are part of who I am and what I write.
When I went to college, I majored in American literature, which was unusual then. But it meant that I was broadly exposed to nineteenth-century American literature. I became interested in the way that American writers used metaphoric language, starting with Emerson.
I don't aspire to write like Steve King. Sure, I admire his work, and I think he's a hell of a nice guy; we met shortly after my first Stoker win. I aspire to write like Jonathan Maberry.
Literature is the best way to overcome death. My father, as I said, is an actor. He's the happiest man on earth when he's performing, but when the show is over, he's sad and troubled. I wish he could live in the eternal present, because in the theater everything remains in memories and photographs. Literature, on the other hand, allows you to live in the present and to remain in the pantheon of the future. Literature is a way to say, I was here, this is what I thought, this is what I perceived. This is my signature, this is my name.
If I aspire to be the king of WWE, one day if I keep working at it, I will be the king of WWE.
The American, who up to the present day, has evinced, in Literature, the largest brain with the largest heart, that man is Nathaniel Hawthorne.
English is, from my point of view as an Americanist, an ethnicity. And English literature should be studied in Comparative Literature. And American literature should be a discipline, certainly growing from England and France, Germany, Spain, Denmark, and the Native traditions, particularly because those helped form the American canon. Those are our backgrounds. And then we'd be doing it the way it ought to be done. And someday I hope that it will be.
The English tourist in American literature wants above all things something different from what he has at home. For this reason the one American writer whom the English whole-heartedly admire is Walt Whitman. There, you will hear them say, is the real American undisguised. In the whole of English literature there is no figure which resembles his - among all our poetry none in the least comparable to Leaves of Grass
Market-cap based indexing will never be driven from its deserved perch as core and deserved king of the investment world. It is what we should all own in theory and it has delivered low-cost equity returns to a great mass of investors... the now and forever king-of-the-hill.
I wrote for 'King of the Hill' for three seasons.
If you read Islamic creationist literature, it's pretty much lifted from American evangelical literature.
If the future, as imagined in literature, is really the present taken to extremes, then the past is also the present, but boiled down.
Unfortunately, when you're the king of the hill, there's really only one way to go, and that's down.
The lyrics were my sarcastic way of realizing you can't be the king of the hill all the time.
The whole world is in revolt. Soon there will be only five Kings left--the King of England, the King of Spades, The King of Clubs, the King of Hearts, and the King of Diamonds.
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