A Quote by Mark Helprin

Accident is as much a part of fiction as anything else, symbolic of the grace that, along with will, conspires to put words on the page. — © Mark Helprin
Accident is as much a part of fiction as anything else, symbolic of the grace that, along with will, conspires to put words on the page.
One of the noblest words in our language is "grace," defined as "unearned blessing." We live by grace far more than by anything else. Accordingly, I find that the one thing which I want to put into practice in my own life is the conscious and deliberate habit of finding someone to thank.
To be quite honest, along with thinking and such when it comes to writing, I'm not into words like "theory." I'm a PhD dropout. No matter how many twenty-five-page papers I wrote, I never felt like I was saying much. I didn't feel like the writer of the book, whose work I was analyzing, would have been impressed. It didn't matter how much time or effort I put in.
I became much more interested in plot when I really didn't consider myself a writer anymore. When I was in an art context and I started to do installations, that was when writing of mine almost returned to fiction. Earlier I felt like I didn't have anything to write about, I could only concentrate on the page, I could only concentrate on words.
The art of fiction is one of constant seduction. You must persuade the reader on page 1 to start reading - on page 50, or page 150 and yes, on page 850.
Write whatever way you like. Fiction is made of words on a page; reality is made of something else. It doesn't matter how "real" your story is, or how "made up": what matters is its necessity.
I'm always a little bit cautious around invented terminology because so much science fiction is off-putting to the uninitiated. You open up the first page, and it's full of all these made-up words.
The strangest thing about writing a sitcom, is never knowing if it will become anything but words on a page.
If you give a writer a pile of blank paper and say you can write anything you like on any subject you want at any length you want, you will probably never get anything at all, whereas if you have 900 words to write, and it's fiction that is somehow op-ed fiction, and it needs to tie in with Halloween . . . okay, those are my constraints, that's where I now need to start building something.
Never claim credit for anything. 'Cause you can't righteously do that. There's luck and grace and accident.
Whatever we read from intense curiosity gives us the model of how we should always read. Plodding along page after page with an equal attention to each word results in attention to mere words.
The last part of life is a spiritual concern. You need to find a context to put your life into, that will allow you to go through it with as much grace and balance as possible, even if there is rebellion and adventure and exploration and resistance.
I think a colony in space will take much longer than sci fiction writers think. It costs $10,000 to put a pound of anything into near earth orbit. That is your weight in gold. It costs about $100,000 a pound to put you on the moon. And it costs $1,000,000 a pound to put you on Mars.
You can say anything with a Post-It. I’m not entirely sure why that is. Maybe the friendliness of the squares makes it easier. A square is nicely compact and less intimidating than a full page. And they come in cheerful colors. Non-white paper is kind of inherently festive. Or maybe paper that sticks feels more important than paper that can blow away. (Though you can move them, if you need to put them somewhere else.) They might not be as lasting as words carved in stone, but Post-It thoughts will stay. For awhile, at least.
If you take a book with you on a journey," Mo had said when he put the first one in her box, "an odd thing happens: The book begins collecting your memories. And forever after you have only to open that book to be back where you first read it. It will all come into your mind with the very first words: the sights you saw in that place, what it smelled like, the ice cream you ate while you were reading it... yes, books are like flypaper—memories cling to the printed page better than anything else.
All painting is an accident. But it's also not an accident, because one must select what part of the accident one chooses to preserve.
Conflict drives fiction; no one wants to read a four-hundred-page novel in which everything rolls along smoothly.
This site uses cookies to ensure you get the best experience. More info...
Got it!