A Quote by Mark Henry

The Undertaker's theme isn't really a single, but in terms of eerie music, you can't beat it. — © Mark Henry
The Undertaker's theme isn't really a single, but in terms of eerie music, you can't beat it.
And of course, in my writing, there is the constant theme of music, love of, preoccupation with, music. Music is the single thread making my life into a coherency.
Undertaker, right up until his last day, was working full time constantly, even when he was beat up, had fire in his eyes. If he couldn't walk, he was flying around, and he was The Undertaker in every way. That was such an inspiration.
I want to make theme-setting music, music that sets a theme without being cliche.
Maybe that's when bad scripts are written, when you choose the theme first. I consider that I've something to say when I've thought of a person, a moment, a single beat of the heart, that I think is true and interesting, and therefore should be seen.
So much is filtered by pop music today, because the music industry is driven by single, single, single, single, the next single, not the nurturing of artists and that kind of thing.
I'm excited to win a pole at Atlanta, one of the tracks you look forward to qualifying at every single year, and really happy to beat Ryan Newman, who is hard to beat here.
The theme, or harmony, of a painting can be created by any one of its visual elements. A single colour... repetition of shapes... Light can be a theme.
I start every first draft with voice rather than theme or image or even character as such, so it isn't like I'm ever rubbing my hands, cackling, "The dad is really going to take it on the chin in this one!" Not in terms of any given story, and certainly not in terms of the collection as a whole.
I found this really fantastic used record store in Japan, and I bought all these different records and different 45s, and one of the 45s was just, it had the theme, "Green Leaves of Summer," the theme to "The Alamo" on one side, and then on the flip side was a theme to, the theme to "The Magnificent Seven."
People just... disappear," he says. "The Earth just opens up and swallows people," I say, some what sadly, checking my Rolex. "Eerie." Kimball yawns, stretching. "Really eerie." "Ominous." I nod my agreement. "It's just"- he sights, exasperated- "futile.
I was really fortunate. I don't believe in luck so I was really fortunate. God really blessed me in terms of my health. ... I was really healthy. But I tried to do my part in terms of preparation, in terms of perseverance. I tried to do my part to make sure that I was always ready to play and try to stay ahead of the game. I tried to beat people with my mind. I wasn't the biggest or the one that jumped the highest, but I had a real high basketball IQ and I knew it. ... I was a student of game and tried to prepare and be professional and have a good attitude. All of those things helped me have a long career.
In 50 years, your grandchildren will be asking you where you were when CM Punk beat the Undertaker's streak!
They have passed the big inheritance tax, and that gets you when you are gone. You used to could die and be able to beat taxes, but not now. The undertaker don't go over your body as carefully as the assessor does your accumilated assets, and he gets his before the undertaker. They have it on these big fortunes now where they pay as high as 60 to 70 percent of what they leave. That's mighty expensive dying when it runs into money like that, and you won't see 'em dropping off as casually as they have been.
'American Music' is an inventive, passionate, pithy novel whose major theme is love itself and whose minor theme, music, is an emotional, meaningful counterpoint. Like Count Basie and His Orchestra, this book swings.
I've got issues with The Undertaker, I'd love to take The Undertaker out.
Back in the day you wanted your albums to have a theme, and 'Sports' theme was really a collection of singles. It was really a record for its time.
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