A Quote by Mark Hoppus

What I love about Blink-128 is that we write catchy melodies with dark lyrics. — © Mark Hoppus
What I love about Blink-128 is that we write catchy melodies with dark lyrics.
I kind of write in a very classic way. I sit in the piano, working on some catchy, cool melodies and coming up with song concepts for those melodies. I kind of write in a very traditional way '- how people have written since the early '40s.
I think people take Blink-128 more seriously now than they did before. And it's largely our fault because we called our records Enema of the State and Take Off Your Pants and Jacket. We were always kind of the underdogs, especially critically. People wrote us off as this joke band. But the people who listened to Blink knew that we were silly and whatever, but we wrote songs about divorce and suicide and depression. Those kids that were listening to Blink are now the ones that control all these outlets that used to just write us off.
I just love catchy melodies.
Jim had melodies as well as words. He didn't know how to play a chord on any instrument, but he had melodies in his head. To remember the lyrics he would think of melodies and then they would stay in his head. He had melodies and lyrics in his head, and he would sing them a cappella, and we would eke out the arrangements.
Melodies and ideas are always on my mind and always coming to me. I'm very thankful for that because if I didn't have whatever that is, that craziness, that openness, maybe, I don't think I'd be able to do what I really love to do, which is write great melodies and at least try to write great melodies.
We start a lot with melodies and instrumentation and trying to figure out good melodies for verses and choruses. We get to lyrics sometimes second, so we'll start humming a melody, finding something, and see where the music takes you as far as lyrics are and what you want to say and go from there.
I first write melodies that will make people shiver, and then, I add the lyrics.
I write lyrics. putting words and melodies to my songs. That's a real challenge, I take it on vigorously.
I've always had an ear for melodies, and they veer pop. My lyrics are more country - what I love is the storytelling and the structure, how tight the rhymes can be. But pop melodies have always been intrinsically linked to my writing style.
Every time I get up in the morning, melodies occur to me and I start trying to shape lyrics to melodies.
There is a great temptation with songs, melodies and lyrics to overcomplicate them but in fact, you find that the most enduring melodies are often the simplest.
I never write a tune before the lyrics. I get the lyrics and then I write around them. Some people write music and the lyrics come along and they say, 'Oh yeah, I've got something to fit that.' If that's the way people write songs, I feel like you might as well just go to the supermarket.
There was a great push and pull of what Blink-128 should sound like all the time. Travis Barker comes from a different background than I do, and Tom DeLonge comes from a different background than either of us in terms of what we write and what we think a song should be. Tom pushes me out of a box that I put myself in.
I love artists who have spirituality. Jonathan Coulton is the man, I love his melodies and lyrics. Chap-hop is the bomb!
I don't want to write melodies anymore. I can only write really simple, dumb caveman melodies.
The dilemma of the eighth-grade dance is that boys and girls use music in different ways. Girls enjoy music they can dance to, music with strong vocals and catchy melodies. Boys, on the other hand, enjoy music they can improve by making up filthy new lyrics.
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