A Quote by Mark Hoppus
The process of introducing people to new music is amazing. It's a gift. One of the best parts of any day is when someone says, 'Hey, check out this new band...'
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Central Park is the most amazing gift. It's incredible. You find new spots, new people, new friends for the dogs.
You've just gotta go in and write from the heart and write the best material that you can and put it out. If one hits, hey, great. It keeps the legacy going. But you've gotta keep doing new material. It's the future of any band.
I'm not a country music fan, so if you slide me some music and say, 'You gotta check this out; it's country,' I'm going to be a little hesitant to listen, and I think if someone says, 'Hey, you gotta listen to this guy rap; he's Christian,' you're like, 'I don't identify as Christian, so not really sure I want to listen to that.'
Most of my work in New York has been on new musicals. And all through the preview process, they throw you new songs, new lyrics, new choreography, new scripts; you're constantly getting new material. You might get it in the morning and put it in the show at night. It happens every single day, so those muscles are pretty toned.
As far as my New York influence, one thing I'm proud of in my career is, I rep Brooklyn, New York all day. But people don't look at my music as New York music. People consider my music underground music.
We met because Chad was in one of my classes, and I was looking for someone to write music with. I knew that he wrote his own music, and he seemed nice, so I found out he was going to be in a practice room, practicing his trumpet. He'd already said he was too busy to hang out or hear any new people or work on any music, so I stalked him.
We've never been a band that gets up on stage and says, 'OK, we're going to play our entire new album.' Of course we want to introduce new music, but we also want to play the songs people want to sing along with.
I love covers because there's just something I love about replicating someone else's music or taking rare music and introducing it to a wider or a new audience.
Hey, I know it's Monday, but it's also a new day, a new week and in that lies a new opportunity for something special to happen.
The world of music is changing so dramatically every day, the way people hear music. It's different. It's a new day and requires new thinking.
Any day we wish we can discipline ourselves to change it all. Any day we wish; we can open the book that will open our mind to new knowledge. Any day we wish; we can start a new activity. Any day we wish; we can start the process of life change. We can do it immediately, or next week, or next month, or next year.
Usually when I start a new project there's a fear of the unknown; maybe it's a band I've never been in the studio with before. People are so different. It's almost like you need to go through the process, discover and unlock what it is that makes that band that band. And a lot of times they don't know it.
Getting to connect with new people in new parts of the world every week is a blessing, and when the crowd and music is right, nothing can replace that feeling.
During the production of the Steamboy film, what I put my most effort in was the process of layouts, and I did my best to check every detail. Once this process is done precisely, we will get great backgrounds from our art team. This makes the team effort fun. I can't create a movie by myself. It is worthy only because many staff bring new ideas and techniques. I think the appeal of being the director is to encounter such new things, which I don't possess. It is absolutely wonderful to create something new based on teamwork. It is something that I couldn't appreciate in my cartoonist days.
I'm always looking upwards and looking forwards and so when someone says, "Hey, would you consider a TV show?" I say, "Hell yeah, I'll consider that. I'll check that out."
I like introducing people to new dishes and new flavors.
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