A Quote by Mark Hoppus

Play music that means something to you. Make it happen for yourself. — © Mark Hoppus
Play music that means something to you. Make it happen for yourself.
I never like to play for myself, and that is why I don't own a grand piano. To play for yourself is like looking at yourself in a mirror. I like to practice; that is to work at a task. But to play there must be an audience. New things happen when you play for an audience. You don't know what will occur. You make discoveries with the music, and it is always the first time. It is an exchange, a communion.
Lost motivation means that you broke promises to yourself and haven't corrected them yet. You need to believe in yourself again. This can only happen when you start fulfilling the small promises you make to yourself.
Film is an incredible way to express yourself and your vision, as is fashion, but you have to make sure [to] be confident and honest and true to yourself and say something that means something, because that is really the point of any art.
There's just something about BJ Penn that gets people amped up. You don't know what's going to happen but something is going to happen. He might disappoint you, make you happy, make you cry or make you jump out of your chair, but he'll do something to you.
I've come to feel that if I can't make something happen in under an hour and a half, it's not going to happen in a compelling way in a three-hour play.
If you want to make something happen that hasn't happened before , you've got to allow yourself to make a lot of mistakes.
I play music - I write my own music, but I play music, just background music really, and just let it happen.
I don't call my music 'gangsta rap.' I call my music reality, something that really happened, something that has really happened, something that will really happen, something that could really happen. It ain't nothing that I'm making up; I think that's why people listen to it.
New York is a city where you're so alone, you're an individual, you can disappear. You can make something happen. But it's very different to make something happen in the art world.
If you want to play something that you can't, you need to see and hear yourself doing it in your minds eye. It will start to happen
Fairness means everyone gets what they need. And the only way to get what you need is to make it happen yourself.
I make the music as if I was scoring it. I do my best that the sounds will fit the theme of that track, but then there are many other times where it can be random and things happen for no reason, just for fun! A storyline can let me organize changes in the music better, like acts in a play.
If you want to be a rock star or just be famous, then run down the street naked, you'll make the news or something. But if you want music to be your livelihood, then play, play, play and play! And eventually you'll get to where you want to be.
Liquid architecture. It's like jazz - you improvise, you work together, you play off each other, you make something, they make something. And I think it's a way of - for me, it's a way of trying to understand the city, and what might happen in the city.
I had a big fight about how to make something come into the real, to make it physical. It sounds really antique, but it's a question of, how do I make this idea happen? You can't just will it into existence. You have to educate, you have to persuade, you have to seduce, you have to do all this stuff to make something three-dimensional and happen. It's not just a concept. It's actually a reality.
Music is a universal language insofar as you don't need to know anything else about a musician that you are playing with other than that they can play music. It doesn't matter what their music is, you can find something that you can play together, with what their culture is. The dialect part of it comes into play, but nothing like the differentiation that language sets up, for example.
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