A Quote by Mark Hoppus

Ideas are really what interest me in producing a band, if I can bring something productive to the project. — © Mark Hoppus
Ideas are really what interest me in producing a band, if I can bring something productive to the project.
I joined Elton John's band in '75. He not only allowed me to play the electronic keyboard on his albums, he also let me do the orchestrations. Then I left the band and started producing records. I was not really a popular kind of hit music guy. I was attracted to more esoteric things.
I welcome and seek your ideas, but do not bring me small ideas; bring me big ideas to match our future.
When you are producing for ABC, you are producing for a big tent network. So when you are thinking about your story lines and characters, you are thinking about broad appeal. When you are producing for a niche interest, you are producing for a different audience.
As filmmakers, you're not working on just one project, you're producing something, directing something, shooting something, and so it becomes hard to do it by yourself.
Back in 1985, I was working on my third solo album when the band came to me and asked me to produce the next Fleetwood Mac project. At that point, I put aside my solo work - which was half finished - and committed myself for the next seventeen months to producing 'Tango in the Night.'
I'm definitely responsible for coming in with some basic chord changes, or ideas. Everybody in the band looks to me to come up with the basic seed, so it's not very productive to come in with nothing.
It's really exciting working with a new band when you feel like you hit something that's great, and you helped them bring something out.
Anybody I'm in a band with can do what they do better than me. I'm a huge believer that I can play bass or whatever I bring to the table - producing, songwriting, orchestrating - and I can look at the other guys and say, "He's got that, he's got this, and I have this." It's a team thing.
As a kid who grew up in Inglewood, California during the Showtime era, I'm so happy to help bring the story of Earvin 'Magic' Johnson to the screen. This project is a convergence of so many things that excite and interest me as a filmmaker.
You know, post-production is a bit of a grind to me. If I'm producing a film, I really... I mean I like editing, but all the other crap, the color mixing and... it's all a grind. And so as a result I cut back producing the number of films I was producing.
For me, a great show is when there's a great rapport with the band and the audience, and we're all really into it. The first trick is to bring the audience into the band, break the ice, have a life, and be one, so you can enjoy the next hour and a half together.
It's really clear to me that you can't hang onto something longer than its time. Ideas lose certain freshness, ideas have a shelf life, and sometimes they have to be replaced by other ideas.
I didn't really have any interest in producing anything.
I never had a lot of ideas. I always have exactly one that is the next project; the idea of a project beyond that project is ludicrous.
I have ideas, but those ideas could be wrong. The only way that you would change someone's mind is through dialogue, through productive discussion. If you're not going to have productive discussion, what are you going to do?
In photo shoots, I rely on instinct. Which is not to say I don't bring ideas to a project or consider it beforehand.
This site uses cookies to ensure you get the best experience. More info...
Got it!