A Quote by Mark Hughes

I try, when I go into places, not to belittle what's gone before, because I know how difficult it is to manage, and everybody does it differently. — © Mark Hughes
I try, when I go into places, not to belittle what's gone before, because I know how difficult it is to manage, and everybody does it differently.
Boxing is a really difficult sport! So I don't want to tell you I wouldn't try it, but I guess everybody that does know about it, my friends, they tell me how difficult it is, and I'm like, 'Eh.'
Most women who work and have a career and a family sympathise with one another because they know just how difficult it is to try and manage it all and sometimes if the pressure's too great and you can't manage something has to give and it's either your career or your family.
We learn by reflecting on what has happened. The process seldom works in reverse, although most educational processes assume that it does. We hope that we can teach people how to live before they live, or how to manage before they manage.
I'll tell you how you know when you're on something good: when everybody starts to tear up when they're leaving, when they're wrapping for the season. You know, when you say, "All right, we're done with McGillicuddy. That's a wrap for McGillicuddy!" And everybody applauds, but everybody's sad, because McGillicuddy's going to be gone! You know, it's like family going off to college or war. You have this intimate relationship with these people, and then - bam! - they're gone.
How often do our heroes stand still? It's hard to imagine Spock and Kirk landing on a planet and just relaxing for a month or two. Just hanging out has nothing to do with boldly going where no one has gone before. What makes us different from every other creature is that we go places, places we've not gone before. We do it willingly, and often. What makes our work and our life interesting is discovery, surprise, and the risk of exploration.
Every generation has a changing of the guard in media. We do the same stuff that everybody else does, but we just do it differently. We do our content online differently. We do our magazines differently. We do our TV differently. We never had anyone tell us how to do magazines, so we just developed it in a different way.
I think everybody does go in expecting they're making 'Gone With The Wind' on their first movie. But you know, that's just not going to be the case, everybody. Hold onto your hat. Buckle in. It's probably going to take a few.
When I'm writing songs, my favourite thing to do is to try and rabbit-trail and go places I've never gone to before. Just like exploring a new terrain or a new country or something.
Most of what I want to try to do is continue to go places with fiction that I've never gone before, and tell stories I've never told before, and one of the problems you rapidly discover about fans is what fans want is the last thing they liked. They want more of that.
I find it very difficult to do anything on my own now because people recognize me. This has never happened to me before because I haven't really done television before. But I suppose if you're in people's rooms all the time, I don't know - I was thinking the other night with people like DiCaprio and, you know, those big stars and Cate Blanchett, and you just think how did they exist? It's so difficult. And I think now it's very intrusive because of these cellphones, you know, with cameras.
I feel like if I can help somebody look at money differently or manage their finances differently or spend a little differently, then I feel like I'm doing my job. So I'll try to help them see the bigger picture and think longevity versus the temporary spending that we're kind of accustomed to.
I just invited close friends and family, the usual suspects whose opinion I value but who I know will enjoy the film [Before I Go To Sleep]. I don't know how difficult it is for them to suspend their disbelief because they obviously know me and what they're seeing is not me.
Lonely Places, then are the places that are not on international wavelengths, do not know how to carry themselves, are lost when it comes to visitors. They are shy, defensive, curious places; places that do not know how they are supposed to behave.
It seems that the more places I see and experience, the bigger I realize the world to be. The more I become aware of, the more I realize how relatively little I know of it, how many places I have still to go, how much more there is to learn. Maybe that's enlightenment enough - to know that there is no final resting place of the mind, no moment of smug clarity. Perhaps wisdom, at least for me, means realizing how small I am, and unwise, and how far I have yet to go.
Everybody comes to film differently; everybody has different backgrounds. Just find whatever your lane is naturally. Don't try to force yourself into someone else's vision or try to tell a story that you're not passionate about.
The second season is generally easier do because you know the actors better and they know the characters better and if everybody likes each other you can really go all types of places.
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