A Quote by Mark Indelicato

I guess if you're independent, not afraid of much, and extremely stylish, that makes you a pretty good candidate for being a New Yorker. — © Mark Indelicato
I guess if you're independent, not afraid of much, and extremely stylish, that makes you a pretty good candidate for being a New Yorker.
Another example of what I have to put up with from him. But there was a time I was mad at all my straight friends when AIDS was at its worst. I particularly hated the New Yorker, where Calvin [Trillin] has published so much of his work. The New Yorker was the worst because they barely ever wrote about AIDS. I used to take out on Calvin my real hatred for the New Yorker.
I'm a New Yorker. I always have issues with trust - you adopt it from being a New Yorker.
I think that anyone who likes writing views 'The New Yorker' as the, you know, pinnacle of the publishing world. If you get 50 words published in 'The New Yorker,' it's more important than 50 articles in other places. So, would I love to one day write for them? I guess. But that's not my sole ambition.
I think one of the best jobs in the universe must be being the editor of 'The New Yorker', but there are a number of magazines that I'd be excited to be the editor of. They would be 'Wired', 'The New Yorker' and probably, 'Vogue'.
If sometimes there seems to be a sort of sameness of sound in The New Yorker, it probably can be traced to the magazine's copydesk, which is a marvelous fortress of grammatical exactitude and stylish convention.
Why on earth is the 'New Yorker' publishing puff pieces about pretty girls who go to parties? Does the 'New Yorker' ever run photos of cute boys just because they're cute and they come from money and they go to lots of parties?
It's so nice that there's all this new space for new, good content. It's good news for us actors, since nobody makes real independent films anymore.
My family goes way back in New York. So I am a New Yorker; I feel like a New Yorker. It's in my bones.
I almost never pitch myself. Me being an independent producer, never having a manager and never being signed, I pretty much just did my own thing: go out and search for the new talent, and when the new talent blows up, it just kinda brings everyone else to me.
In New York, all the crews read 'The New Yorker.' In Los Angeles, they don't know from 'The New Yorker.'
Being a New Yorker and someone that goes to MoMA as a patron, I want it to be good.
Being independent is more of a mind state more than anything else. A lot of people don't understand that being an independent artist means being hands on with your career in every aspect - not being afraid to spend your own money and invest time in yourself. Although I'm affiliated with a major label, I still wake up every day with an independent mindset.
Lilian Ross was a - veteran writer for The New Yorker. She, in fact, brought me to The New Yorker many years ago.
I was the youngest of the house that I grew up in, so I feel like, as the youngest, you have it pretty good. At the same time, I guess I required a lot of attention, being afraid of so many different things. So I was never seeking attention; I wanted the opposite.
I guess I don't have a candidate who makes my heart go pitter-patter the way I wish it would. I'm thinking, here's an African American candidate - yes! And here's a woman candidate - yes! Why can't I get behind either one of them? Don't tell me I have latent sexism or racism that I need to confront. I don't believe that. I think we are so burned by the current situation that we want somebody that it isn't possible to have. We want someone who definitely looks like the messiah.
If you're born and raised a New Yorker, you're probably pretty to-the-point, and you don't care so much about hurting people's feelings as you do about saying what's on your mind, because you assume they'll get over it.
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