A Quote by Mark Knopfler

After a while, though, the group just wasn't a good vehicle for the songs I'd written. — © Mark Knopfler
After a while, though, the group just wasn't a good vehicle for the songs I'd written.
Actually, my first group was a folkloric group, an Argentine folkloric group when I was 10. By the time I was 11 or 12 I started writing songs in English. And then after a while of writing these songs in English it came to me that there was no reason for me to sing in English because I lived in Argentina and also there was something important [about Spanish], so I started writing in Spanish.
Starting a band is the easy part. Once you've formed the band, you have to tell a story, and that story requires songs. And not just good songs, but great songs. After a while, great songs won't do - they have to be the best. Success doesn't make it any easier. Each time I start a new record, it's a brand-new search.
I just love ballads. I am obsessed with them, so I've written a lot of those. They just kind of touch on all the different types of emotions. Though, I think poppy, feel - good songs are underrated and not seen as artistic enough.
Usually, one of us will bring a song to the group that they think we could arrange and perform well. If the group agrees, we arrange it. It doesn't always work out though. We've tried to arrange a few songs that just we ended up canning in the end.
Sonic Youth has always been the vehicle for my writing, you know, because it's a collective songwriting entity: we write our songs as a group.
For me to create an album of 12 songs, I've got to write about 80 songs. Half of those are totally weird and rubbish. But I get to some really good stuff after a while.
I like albums where all the songs are written in one go. If you're trying to create the number-one album with the best songs ever, I get why you'd want to write for three years and pick the best ones, but for me, I'd rather hear a group of songs that are all expressing a state, or time of your life. I think it's more that.
Only sing - don't do cheap songs, don't do silly songs, just do, just do wonderful songs that are well-written.
I don't really premeditate what I write my songs about; you know, they just kind of happen, and I can't start writing songs to please a certain group of people or propagate a certain message all the time. That's just not how my songwriting works - it just sort of comes out, and the songs are what they are.
I don't write all my stuff. Everybody always thinks that. But in just about every album I've ever had has been about 50-50 songs I've written or co-written and other people's songs.
We're a live band. Some bands write their songs in the studio - we don't do that. We're playing songs on this tour that were written three days before the tour. And it feels good to try these songs.
I write songs all the time. Sometimes they're just weird songs I sing while changing a baby, or songs about annoying things that I sing to myself, or to friends while sitting at a bar, or about Christmas or New York.
I always feel like I have got so much to write about, when it comes to writing for the album. I still think that even though my songs are written from my perspective, I think that all age-ranges can relate to the songs.
Music that was made in the 60s and 70s did come from a really soulful place. The seed for the songs written in the 90s were planted in those songs, even though they were samples.
I've never written songs about relationships. I've written songs about how I feel. The songs are more about me, than another person. That's the way I like to look at it.
I was a songwriter and I've written some good songs, but there are lots of greater songs that I know I have inside yet to come out.
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