A Quote by Mark Kostabi

I really believe in my work and in no way think I'm taking advantage of anyone. I feel generous when selling my art. — © Mark Kostabi
I really believe in my work and in no way think I'm taking advantage of anyone. I feel generous when selling my art.
I am very generous with my dealers in terms of the art that they have of mine. They all have a very good selection of work that they can work with. And it is up to them to find the dealers. I don't interfere with their selling.
I really can't tell other people how to live their life or how to approach different things. What I can tell them - and I truly believe this, I don't think it's being naïve and I don't think it's being in denial - I really believe that the way you think influences the way you feel, and the way you feel influences the way you act.
The main problem is just that people think that other people care about them way more than they do. Anything that you do, that requires anyone to do an ounce of work that's about you, is a mistake. Because unless you are Brad Pitt, Angelina Jolie, or David Letterman, or just a really, really giant celebrity, or you're maybe at the center of a media storm where everyone is trying to get in touch with you, people don't want to have to do any work to remember who you are, what you're selling, or what your website is.
I don't feel like literature has the power to alienate. I think that's something people feel if they don't connect with a work of art. But I don't think a work of art can actively reject the person who's looking at it or reading it.
I think of other artists as generous when I get inspired by their work. That's why I like curating. You don't want to take someone else's art and have your way with it. You've got to be respectful of them.
I don't believe in fate," she said at last. "But I do believe in...loopholes. I think a lot of what keeps the world going is the result of accidents — happy or otherwise — and taking advantage of these.
I think it's more, at least at the time, a sense of abstraction. My mind doesn't really work in a way where there's a definitive sense of something. I go one way and then it opens up into a million different ideas, and somehow, when you look at the art, Buddhist art, or particularly Tibetan art, you know, it's a similar thing. All of a sudden there are a million lotus leaves and you're following one to the next and to another, and I related to that, and it felt simple and easy to me. And it made me feel smart.
I wonder why anyone would hesitate to be generous with their writing. I mean, if you really want to make a living, go to Wall Street and trade oil futures ... We're writers. We're doing something that is inherently a generous act. We're exposing ourselves to the muse and to the things that frighten us. Why do that if you're not willing to be generous? And paradoxically, almost ironically, it turns out that the more generous you are, the more money you make. But that's secondary. For me, the privilege of being generous is why I get to do this.
I've met a lot of people since I was around four years old, some really big ones along the way, and I don't think I've met anyone who's as generous of spirit as Quentin Tarantino.
I think art is beautiful. It's decoration and adornment. But art is also a really important vessel for social change, and social change begins with thought. And so if you can find humor in something and take a moment to rethink it, you can take a step back and look at your values from a different angle. I think that's a really important way of carrying on with life. I think the best art for me is funny and the best comedy for me is art. Some of my favorite artists are comedians. Comedy is art, and art can be comedy, and the intersection is vital - at least for my own work.
I don't really believe in political art. I feel in my heart the purpose of art transcends cultural and class and politics. I think something like the Sistine Chapel is something that goes beyond just being a Christian thing. It transcends its Christianity and becomes sort of a universal beauty. And I think that's true of music and art and literature.
I believe that a work of art, like metaphors in language, can ask the most serious, difficult questions in a way which really makes the readers answer for themselves; that the work of art far more than an essay or a tract involves the reader, challenges him directly and brings him into the argument.
My parents didn't believe in luck. They believed in hard work and in preparing me to take advantage of opportunity. Like many parents, they taught me to be generous but never to depend on the generosity of others.
People are frustrated. This is the most generous country in the world when it comes to immigration. There are a million people a year who legally immigrate to the United States, and people feel like we're being taken advantage of. We feel like despite our generosity, we're being taken advantage of.
The great advantage of the circus, and the reason it is so popular, is really the ideal combination of art and sport. It's the ideal art form, in a certain way, if you want to be accessible.
The fact is that the Chinese are taking advantage of America. And by the way, the Chinese can't even believe that they're getting away with it.
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