A Quote by Mark Kostabi
Many artists and critics see collectors like kids see their parents: as the ones with money and power who just don't get it. Once they start to mingle with the collectors and learn that they are people who have achieved something who then expand into art, they change their minds.
Related Quotes
Artists need a lot of collectors, all kinds of collectors, buying their art.
I'm not really an art collector - I'm more of a person who picks up things. I have pieces by people like Gerhard Richter, for example, but then also others by unknown Japanese artists, and not many real art collectors do that.
Not only were the minds of artists formed by the university; in the same mold were formed those of the art historians, the critics, the curators, and the collectors by whom their work was evaluated. With the rise of Conceptual art, the classroom announced its final triumph over the studio.
It's not curators, it's not critics, it's not the public, it's not collectors who find great artists - it's other artists.
Artists... do not need the applause or condemnation of the critics, the ideas of other artists, or the demands of the collectors.
On the whole, money does artists much more good than harm. The idea that one benefits from cold water, crusts and debt collectors is now almost extinct, like belief in the reformatory power of flogging.
I see around 100 shows a month, going from Niketown-size palaces where you feel like yelling, to storefronts in Bushwick. Each has to pay the bills; keep artists happy; and cope with collectors (oy!), curators (ay-yi-yi), critics (woo-hoo!), and occasionally plumbers. That their fiscal life often hangs in the balance only adds to the energy.
I imagine witches to be people who sit around like my witty grandmother, people who are injustice collectors or humiliation collectors. I choose to imagine that's what a witch is. The reason witches are so evil is because they're so unhappy and so hurt.
I see a lot of people who love their jobs.
I see some garbage collectors smiling as they go about their work.
I see a lot of people who love their jobs. I see some garbage collectors smiling as they go about their work.
It is no more rational to have lawyers in positions of power than it would be to have garbage collectors in positions of power. And in human terms garbage collectors would be preferable.
If you're trying to learn how to collect art, the key is getting access to insider opinions, and we pride ourselves on working with the most relevant artists and the collectors with the most authoritative voices.
If the people of God were to transform the world through fascination, these amazing teachings had to work at the center of these peculiar people. Then we can look into the eyes of a centurion and see not a beast but a child of God, and then walk with that child a couple of miles. Look into the eys of tax collectors as they sue you in court; see their poverty and give them your coat. Look in to the eys of the ones who are hardest for you to like, and see the One you love. For God loves good and bad people.
I love knowing and learning about people around the world displaying my art online. Also, it's how I learn about new artists that are in various parts of the world. The positive thing about Tumblr and Instagram is that they're a fantastic platform for art lovers. I also like, when I search for my art and it says, "see also or related artists," and I see those other artists that relate to me, at least according to the internet. I think it's fascinating - it's interesting to see hashtags people are using in relation to my work. It's another tool of communication.
Art collectors are pretty insignificant in the scheme of things. What matters and survives is the art. I buy art that I like. I buy it to show it off in exhibitions. Then, if I feel like it, I sell it and buy more art.
For many years it was difficult for me to paint because I didn't feel the informal painting that was then tyrannically dominating painters and art collectors.
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