If you covet fame, if you covet all the superficial accolades, you're gonna be miserable 'cause you're never going to get enough praise. If you covet contributing something substantive to movies, music, literature, then you won't be unhappy.
We think accolades are nice, awards are great, but we make music for the people.
Music, in its higher state, for me, is worth living and dying for. It's worth traipsing around the globe, it's worth the accolades and the other side of the accolades...I always have sung to the angels and the higher parts of people's souls.
Anguish over the loss of a loved one or feelings of helplessness have complex roots. But in the end, they make you feel bad because they adjust your brain's chemistry. Happiness and its opposite are both electro-chemical reactions; those reactions are temporary and ineffable and could even have hidden benefits.
The reactions of organic magnesium compounds are of two kinds - reactions of substitution and reactions of addition.
I think the gift of music is it's intuitive capability. I think music is a powerful medium because it co-inspires. It inspires the artist who then inspires the listener, and it's a back-and-forth process. Because it's intuitive, the truth has to be defined intuitively. It can't be preached, it can't be pushed. It's got to normally go across organically and make someone feel something, and that's the power of music.
Those kind of accolades, the individual accolades are something that you can hang our hat on when it's all said and done.
I understood even in college, when you win as a team, everyone gets their own accolades, individual accolades.
Writing songs has always been a process where I divulge a lot, just because music is a tool for me to sift through and process intense emotions. But having music be my primary occupation has changed how I interact with art.
Collaboration has become really integral to my process. I play music so that I can spend time with my friends and communicate in that way. I experience so much joy in that process, because, you know, it's those times of getting together and playing music and all that comes with it that are the best for me.
I'm very concerned with the healing process of a song and music in general. I think that's why I make music - it heals me and I'm extremely sensitive to people who tell me that this or that song made them feel better or helped them go through a difficult time in their life. I think that music is almost medicine. I don't know if that's my philosophy, but that's my thought process.
I don't pay attention to accolades or any of that stuff because I think it can serve as a distraction, so for me, I just focus on winning games, trying to make the playoffs.
Scientists are not movie stars or politicians who will feel insulted if they are not showered with accolades. Scientists are not interested in accolades.
My advice to young people wanting to make music and to be in this industry is to really spend your time making music. Make so much music you have no friends. Make music. Figure out what it is you love, and... because if you're making cool art, then everything else will fall into line.
I would say that I don't make music quickly; like, my process has been very slow, and my bar is very high, and I don't really rush to make music just to get something out there.
To the Greeks, the supreme function of music was to "praise the gods and educate the youth". In Egypt... Initiatory music was heard only in Temple rites because it carried the vibratory rhythms of other worlds and of a life beyond the mortal.