A Quote by Mark Kozelek

I'm always moving forward creatively and don't like stalling, trying to find the perfect snare drum sound. — © Mark Kozelek
I'm always moving forward creatively and don't like stalling, trying to find the perfect snare drum sound.
My favorite instrument is the snare drum. In Scotland, the snare drum is very prominent in Highland bands. The Scottish style of playing is in my blood. It's a very powerful instrument, but it can also be soothing, like velvet. It's a real challenge for composers.
I was playing legit snare with a traditional grip, not a matched grip. After I broke my left wrist, I couldn't hit a snare drum anymore. From the age of 13 to 17, I couldn't really get a pop on the snare drum. I would hit it, and my wrist would almost shatter.
I've wanted to be a drummer since I was about five years old. I used to play on a bath salt container with wires on the bottom, and on a round coffee tin with a loose wire fixed to it to give a snare drum effect. Plus there were always my Mum's pots and pans. When I was ten, my Mum bought me a snare drum. My Dad bought me my first full drum kit when I was 15. It was almost prehistoric. Most of it was rust.
I love the sound of '70s glam records. I love that snare sound. The recordings I like, it's all based on if the snare sounds good. The drums have to sound great.
With a computer, you have access to so many drum sounds and samples that your snare drum will be unrelated harmonically to your kick drum.
A stand-up act is almost like a pool. You know what I mean? It's like a pool, and you're always skimming little leaves out of it, messing with the chlorine level, putting up umbrellas. You're trying to make one little stagnant body of water perfect. Whereas a late-night show is like a river, always moving forward.
Dad bought me a toy drum one Christmas, and I eventually destroyed it. I wanted a real drum and he bought me a snare drum. Dad continued to buy me one drum after the other.
Dad bought me a toy drum one Christmas and I eventually destroyed it. I wanted a real drum and he bought me a snare drum. Dad continued to buy me one drum after the other.
Well, things hold up even if they sound dated. It can be very difficult to listen to 80s pop songs with really, really gigantic smashed drum sounds. You just want to turn that gated reverb down on the snare. It sounds wrong now. It sounds amateurish. And ugly. But at the time it sounded state-of-the-art. So yeah, I think it's important not to sound state-of-the-art in a way that anybody else is going to sound. Or you'll quickly sound like yesterday's state-of-the-art.
In the late '80s and early '90s, there was a slightly retro drum sound that was popular in hip-hop music called the 808 bass drum sound. It was the bass drum sound on the 808 drum machine, and it's very deep and very resonant, and was used as the backbone as a lot of classic hip-hop tracks.
I don't have perfect pitch. My drums sound like a drummer, not a drum machine.
On the first album, it was me and a producer in a basement going though hundreds of snare drum sounds to find the right one.
I feel like a drummer with no sticks and somebody keeps farting on my snare drum.
I've always liked a very dry snare and, like everyone else, a very dry bass drum.
Then I tried out for the Fontana High School drum line, in Riverside, and I did really well. I got second chair, and played snare in that drum line for three years.
Don't quit. Never give up trying to build the world you can see, even if others can't see it. Listen to your drum and your drum only. It's the one that makes the sweetest sound.
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