A Quote by Mark Kozelek
Most Americans I play for are clueless as to who Richard Ramirez was, so you can imagine how audiences in Portugal react. I'm not saying they don't enjoy the music; I'm just saying they're a little lost on some references.
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Nobody's ever called me Sir Richard. Occasionally in America, I hear people saying Sir Richard and think there's some Shakespearean play taking place. But nowhere else anyway.
I'm no expert in what country artists go through or how country audiences would react, but I'll say that the work I did to put myself in Will Lexington's shoes absolutely led me to believe that it would ruin his career. Meanwhile, I was getting lots of supportive messages saying, "Will Lexington should just come out! It's 2015 already, audiences are going to embrace it!"
I'm certainly not saying anything new, and I'm not even saying anything all that different from what everyone else I know is saying right now - I'm saying what millions of people are saying. I'm just saying it publicly.
When I'm tired, I tell myself what the people are saying about me. In that second workout when I'm saying, 'Man, I don't want to do this.' I remind myself, 'They're saying you're old. They're saying you're 33. They're saying you can't do it this year.' I play games with myself off that stuff.
When Marlee [Matlin] won her Oscar, she said, "and I just want to thank my parents." When I was saying those words for her, I knew my parents were in the audience. I was saying it for her and a little bit for myself, even though I wasn't saying it in sign language and they didn't understand what I was saying.
Let us stop saying 'white Americans' and 'colored Americans,' let us try once and for all saying... Americans. Let human beings be equal on Earth as in Heaven.
For most Americans, poetry plays no role in their everyday lives. But also for most Americans, contemporary painting or jazz or sculpture play no role either. I'm not saying poetry is singled out as a special thing to ignore.
I never thought I would see it. I’m not saying it’s not possible. I’m not saying it didn’t happen. I don’t know. There’s a lot of guys getting picked on (in the locker room). Some handle it well, some don’t handle it as well. I’m not saying it’s right, and from a locker room sense or from a team sense, I’m not saying it’s wrong. It’s just the way it is.
And it was the idea that you can do a play - like a Shakespeare play, or any well-written play, Arthur Miller, whatever - and say things you could never imagine saying, never imagine thinking in your own life.
I'm a much better listener when I'm acting than I am as a person in real life because you learn as an actor that listening is so important. You have to really key into what the other person you're acting with is saying and how they're saying it and react in the moment to what is going on.
Americans are gathering the courage to just say no. We are saying no to addictive consumer lifestyles. We are saying no to wars and corporate takeover and the IMF loans that gobble up people and their resources.
My favorite scene on the show [The Office] is on the booze cruise when I finally get to talk to her and tell her, and I react exactly how I would react by saying nothing.
The absolute negative, the ultimate saying of no to the world, when it is just too late. And always the subtle conviction that if you had said No a moment earlier, it would none of it have happened. But the saying of no comes too late by a little. You are always a little too late in saying it.
Saying you're a pop group isn't saying very much. Personally, when I think of pop, I think of instant, accessible, catchy songs - I definitely identify our music as that. I think that by writing pop, or instant, accessible or hopefully catchy music, it shoes you into bigger audiences because it seems that more people like that music. I think the possibilities are endless if you stick to a simplistic short song; the music can be as wild and bizarre as you want it to be, as long as at the core of it, there's something really strong.
I've had some struggles, some times with difficulty and people saying this, people saying that. I've done some things I shouldn't have, but it's about growing up and learning how to be a true professional.
I give a facial expression in a moment of silence for audiences to react to what I just said and kind of let that marinate with the audience for a little bit. I enjoy the physical part of the comedy as much as the verbal content. People tend to gravitate to not only what they're hearing but also what they're seeing.
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