A Quote by Mark Kozelek
I think people choose to be offended by things as a way of bonding, as a hobby. They embed some piece of information into their brain without thinking it through because it's easier.
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I try to see what the dream might be referring to - because the information in the world is being interpreted by my brain which only has the concepts derived from our five senses. So I think of the sequences in my dream as my brain doing its very best to process information in a way it knows I can deal with.
I think that because of YouTube, because of MySpace, because of the digital domain that we have on the Internet, the younger generation is much more open to information. I think it's so much easier for them to gain information and trade information, and they have become more aware. In some cases, more aware than their own parents and adults, as to what's going on in the world. I find that really intriguing and interesting, and I think there is a brewing of a whole new generation of activists coming.
Feeling offended is invigorating. Feeling offended is a reassuring sensation. It's easier than asking ourselves if the redeeming love of God is evident in the way we communicate with people.
When confronted with information streaming from the eyes, the brain will interpret this information in the quickest and most efficient way possible. Time is energy. The longer the brain spends performing some calculation, the more energy it consumes. Considering the brain runs on about 40 watts of power (a lightbulb!), it doesn't have a lot of energy to spare.
Personally, I think people need to get over this 'being offended' thing. Being offended does not give you the right to silence people. I get offended by things all the time - it's just part of life. The right not to be offended is not a human right, especially in a democracy.
When you are thinking something, you have the feeling that the thoughts do nothing except inform you the way things are and then you choose to do something and you do it. That's what people generally assume. But actually, the way you think determines the way you're going to do things. Then you don't notice a result comes back, or you don't see it as a result of what you've done, or even less do you see it as a result of how you were thinking. Is that clear?
I always think its easier for me to write without thinking about the strict meter that's required for songs and song structures and things like that. It's much easier to just write on the page.
I'm trying to do some things with my brain institute to understand more about the impact of concussion on brain tissue, because we have some scientists over there who are really good at looking at brain tissue and the effects of things on brain tissue.
If marketers could uncover what is going on in our brains that makes us choose one brand over another-what information passes through our brain's filter and what information doesn't-well, that would be key to truly building brands of the future.
My idea about the role of artists is to get people to look at things in a way that's different than the way they normally would if they are being told how to think, what to do. I think when people receive information through art, they are more open-minded.
Just because you're offended, doesn't mean you're right. Some people are offended by mixed marriage, gay people, atheism. So what? F*** 'em.
If people do things without thinking them through, that rubs me up the wrong way.
The information. Every bit that of information that was ever in your brain. But the information is not the mind Jenna. That we've never accomplished before. What we've done with you is groundbreaking. We cracked the code. The mind is an energy that the brain produces. Think of a glass ball twirling on your fingertip. If it falls, it shatters into a million pieces. All the parts of a ball are still there, but it will never twirl with that force on your fingertip again. The brain is the same way.
Giving information that will help everybody live better. That's a teacher's dream - to accumulate information and disperse it in a form that allows people to choose the way they're going to use it. That's what I think I do best.
I think doing period piece is easier, because after a certain distance, everybody is equal, I think. The relative contemporary is harder. I think that's the way it is.
Things were easier for the old novelists who saw people all of a piece. Speaking generally, their heroes were good through and through, their villains wholly bad.
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