A Quote by Mark Kurlansky
Montserrat is a very pleasant place to do nothing. The islanders know this, and they know this is why tourists go there, but they are not totally comfortable with the notion.
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The U.S., like any other country, allows tourists into its borders in order to make money off them, and there's nothing wrong with that. Why give out tourist visas if you're not going to let tourists be tourists?
Prayer for many is like a foreign land. When we go there, we go as tourists. Like most tourists, we feel uncomfortable and out of place. Like most tourists, we therefore move on before too long and go somewhere else.
At least I like to keep it the same. That's why I've got all the same friends. That's why I go back to Leeds as much as possible. I don't know if you know much about England, but Yorkshire is a very sobering place. In the North. It's very gritty. Old mining villages. And people don't really care about celebrities up there. And it's great. And that's why I get back there whenever I can. 'Cause it keeps me very grounded, and it keeps my life very normal, whatever that is.
I'm afraid of sudden death. I'd like to know I'm going to die. That's why death row wouldn't be so bad, although it's not pleasant. And cancer, inoperable, wouldn't be bad. That's not pleasant either. But to drop dead suddenly, it's hard on everybody else. My family, my relatives, my friends. It's just not a good way to go. I want to know I'm going to die.
Living in a place like Pakistan, very often you meet people who are migrating abroad. And sometimes you'll ask their parents, you know - you didn't try to stop them? Like, why didn't you say, don't go - I'll miss you? Stay with me. And, you know, people say, well, it's best for them. They have to go. And parents, you know, take on that sadness because they know it's better for their children if they leave.
When you're with a bunch of loud 20-year-olds, if you're on a movie and everybody is a lot younger than you and they want you to go to a club, I'm not very comfortable in that situation. I've been on movies when everybody goes out to some loud place. I don't know; I'm not comfortable.
If every choice you make comes from an honest place, you’re solid and nothing anybody can say about you can rock you or change your opinion. It doesn’t shake me because I know why I do the things I do and I know I come from a good place and so people can judge me however they wish. But I know I’ll continue to do the best I can and be the best I can.
You're never going to go. Why would you go? It's a disgusting place. It's always wet even when it's dry. There's nothing there. Farmers aren't really people, you know this. They're just necessary, we need somebody to kill cows.
I never know what I'm going to wear until five minutes before I go somewhere... I guess I know what I'm comfortable in. I don't know how to describe that, I mean you either put it on and go 'no way' or 'OK, let's go.'
You must have a room, or a certain hour or so a day, where you don’t know what was in the newspapers that morning, you don’t know who your friends are, you don’t know what you owe anybody, you don’t know what anybody owes to you. This is a place where you can simply experience and bring forth what you are and what you might be. This is the place of creative incubation. At first you may find that nothing happens there. But if you have a sacred place and use it, something eventually will happen.
The full thing is God-given. I don't know how I got my swing or what I did. I know I worked every single day. I know I did as much as I could with my dad. But I never really looked at anything mechanical. There was nothing really like, 'Oh, put your hands here.' It was, 'Where are you comfortable? You're comfortable here; hit from there.'
In my rational mind, I know... that is a very simplistic way of looking at it, but when there is violence of that kind, it challenges my faith. I still can't say that I totally understand why - why that is allowed to happen.
I love playing darker roles, or roles with meat. I feel very comfortable in that environment. I don't know why. I don't know what that says about me. I really enjoy doing complicated characters.
I think that probably the moments of discovery do come from a place that is not totally organized. Order is something that we already know about. Discoveries are in a place we don't already know about.
Why do all the clerks and navvies in the railway trains look so sad and tired, so very sad and tired? I will tell you. It is because they know that the train is going right. It is because they know that whatever place they have taken a ticket for that place they will reach. It is because after they have passed Sloane Square they know that the next station must be Victoria, and nothing but Victoria. Oh, their wild rapture! oh, their eyes like stars and their souls again in Eden, if the next station were unaccountably Baker Street!
We all know the place you're in has a big impact on how you feel. How you feel has an impact on the quality of work. Why wouldn't we put a lot of effort into making the place we work as efficient and productive and pleasant as possible?
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