A Quote by Mark Kurlansky

I'm usually writing about survival. I never planned it, but it runs through all my books. — © Mark Kurlansky
I'm usually writing about survival. I never planned it, but it runs through all my books.
The novels I planned to write were never going to be funny books about Jews. They were going to be country house books. Only later on could I write what I knew I was best at writing about.
I am through generalizing about ideas apart from men who generate them. I am through writing books about the dead, or writing books about the living to the unborn (tucked away as Literature) or writing books about the unborn to the living (whiffed away as prophecy). I put up my life on advertising the living to the living, on making men of genius known to the people and interpreted to their time, that the time in which I live, may live face to face with its men of vision and that they may live face to face with one another.
For Borges, the core of reality lay in books; reading books, writing books, talking about books. In a visceral way, he was conscious of continuing a dialogue begun thousands of years before and which he believed would never end.
The kundalini runs through you. It runs through the ida and the pingala, the two nerve channels in the subtle body; but there's a central channel, the shushumna, which is blocked. When it runs through that, then you can use the mystical kundalini.
The only certainty about writing and trying to be a writer is that it has to be done, not dreamed of or planned and never written, or talked about (the ego eventually falls apart like a soaked sponge), but simply written; it's a dreadful, awful fact that writing is like any other work.
I never planned to become a choreographer. I never planned to become an actor. I never planned to be a director. It's all good will. I did nothing.
You can't write about history without writing about politics at some point. History is about movements of people. 'What is criminality and what is government' is a theme that runs through every history.
I identified in a very deep way with the individuals I was writing about because the theme that runs through this story is of extraordinary hardship and the will to overcome it.
Even though I'm a writer and I love books and writing books is my favorite thing to do, when you teach, and you can go through the history of children's television, and I show certain things, the students' jaws just drop. You're never going to hit the hammer quite as hard in print.
From its fountains In the mountains, Its rills and its gills; Through moss and through brake, It runs and it creeps For awhile till it sleeps In its own little Lake. And thence at departing, Awakening and starting, It runs through the reeds And away it proceeds, Through meadow and glade, In sun and in shade, And through the wood-shelter, Among crags in its flurry, Helter-skelter, Hurry-scurry.
The good writer seems to be writing about himself, but has his eye always on that thread of the Universe which runs through himself and all things.
[You Got To Make It Through The World] it's kind of a survival song. Survival is what's happening and it's basically a song about that.
Actually, the books were never a planned career path.
I'm a very wide reader. I read serious books and I read airplane, forgettable books. I never have fewer than four or five books beside my bed at night. I particularly enjoy reading about people who have gone through a personal growth.
When I'm writing books, something weird happens; and the result is the books contain a large amount of what you could call 'supernaturalism.' As a writer, I find I need that to explain the world I'm writing about.
She knew that what she was going through was nothing special, just garden-variety heartbreak, the sort of thing that poets and novelists had been writing about for hundreds of years, but she also knew, from those same books, that there were people who never recover form it, ones who go on through life beset by a dim and painful longing.
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