A Quote by Mark Lanegan

Usually I get asked to do stuff that's cool, and if I ever can't do something, it's usually, because of logistics, I don't have the time for it. Rarely do I get ask to do something that I'd rather not do. I usually do it if I feel that it's something I can do.
You have to get something that is beyond, something special, something unique that happens to you, by which you become one with the whole. This is what should be asked for, not for all other things that people ask for. Isn't it? That's the truth. You have to achieve it, to be in your collective consciousness.
People buy pads all the time, because they want to write stuff down. We're never going to get away from paper, ever. People like writing; that's why more people are writing more real thank-you notes now - not just to stand out, but because there's something about pen to paper, about holding something cool in your hands.
Ever since I was a kid, I've been into clothes, but not really labels- that's kind of only been in the last year or so. It's something I've always cared about. I used to just constantly thrift and make stuff and cut stuff up and borrow my dad's stuff and borrow my little brother's stuff and all that jazz. ... It's just, if something is cool, then it's cool.
I think its just important to do something. Some sort of exercise. I get asked this a lot. It's important to do something you enjoy, and something that is useful for yourself. You get far more enjoyment out of something you like to do, so you're more likely to stick with it.
If you'd rather be a chooser, enter a market or a transaction where you have something to trade, something of value, something to offer that's difficult to get everywhere else. If all you have is the desire to get picked, that's not sufficient.
Can I just tell you the truth? I get asked to do a lot of stuff. And all of the years that people have asked me to do things for the film festival, I couldn't. And so this year, I thought, "Oh, my god, I don't have a day job. If somebody ask me to do something, I'm going to do it."
When I was little, I looked in the mirror and held the Bible in my hand - that's how I talked to God. I never just asked for stuff. The way I saw it, if you give Him something, you get something.
I still feel like if I can get a song to work with, say, a basic beat, a rhythm, some chord changes, and a melody, a vocal melody - if it works with that, then I feel it's written and there's something there. So I intentionally don't get involved with arranging stuff or fussing over the sounds and the edits and the beats too much, at least not in the beginning, because I feel like then you can fool yourself that you've got something there, when you might not.
And other people get the opportunity to leave prison, and then they do something to get put back in there because they can't actually function in society. It's really cool because you get to see all these different women, their backstories, where they come from, their upbringing and why they get to where they get to, and they're all completely different. It's really cool that you get to see all those storylines.
I never feel like I'm in a rush. I'm controlling the pace. If I have the ball and hit the hole right now and get 3 yards, I feel like I can be patient, work for something, knowing I can still get the 3. It's something that's hard to be coached on. I just feel I've perfected it over time.
I'm not trying to do stuff for my kids necessarily all the time, but when you get the odd opportunity to do something for them that they could enjoy its cool.
I've been asked to do 'I'm a Celebrity... Get Me Out of Here!' and I do get asked to do all sorts of things like that - but I don't want to put my career on hold. I'd have to take three weeks off to do something like that. Maybe it's something I'd think about after it's all ended.
I'm reluctant to get involved in science fiction, because I feel like I've done it and done it well, so unless something comes along that I feel has the potential to do something even more interesting, it seems a shame to sort of re-live something in half-measures.
I like to get something that is impossible to verbally order. Sometimes it's something the person is not even conscious of, and it's something you could never ask of them specifically. It's just there.
He misses the feeling of creating something out of something. That’s right — something out of something. Because something out of nothing is when you make something up out of thin air, in which case it has no value. Anybody can do that. But something out of something means it was really there the whole time, inside you, and you discover it as part of something new, that’s never happened before.
Sometimes you don't want to get married too much to a lot of rehearsing, I feel, when it comes to film, because there's so many technicalities. So if I'm in my head, I've gotten settled on something, I'm gonna have to change it if I get there and something was set that's completely different.
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