A Quote by Mark Lanegan
When I think of a hit, I think of Madonna.
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I was not even allowed to mention the name Madonna in my household - just because I think the '80s and '90s were so Madonna-filled. She was going through so many evolutions at that time.
If somebody wants to get inside my brain and figure out what I'm chasing, what I'm after think Richard Branson, think Madonna, think Lady Gaga.
I could be shooting myself in the foot, but in some ways, I feel I've said all I've needed to say when to comes to, say, the 'X-Men.' I think I've hit the bright points, I think I've hit what I wanted to hit, and I can be happy moving on doing other things.
Teams are going to try to hit me because they think I can't take a hit. I think I've proven over my career that I can.
Hey, I think it's easy for guys to hit .300 and stay in the big leagues. Hit .200 and try to stick around as long as I did; I think it's a much greater accomplishment. That's hard.
It would be thrilling if I could be boycotted or something. I think that's part of the thrill Madonna gets, when you know you've hit a nerve. But that doesn't scare me. To me what would be a lot scarier would be like appearing on an episode of 'Full House' or something.
This whole game of hit and flops will always be there and I have survived because I am hit. I think industry works on hit and flop.
People say I'm good at standup. I don't even think I'm that great at standup. I just hit hard. I don't think I'm super technical or anything like that. I got a couple knockouts. I think I just hit hard more than anything.
Madonna did amazing songs. She had an amazing sense of style, without a stylist. And she was flawed, and sometimes she admitted it. I'll fight the fight for Madonna. I think she should send me some chocolates or something to thank me.
I think the ability to hit - some guys have it and some guys don't - but I think how dedicated you are to trying to get the most out of yourself, I think kind of determines how good you are and for how long. I was born with the ability to hit, but my work ethic has taken it to the next level.
I like Madonna a lot. I think she's really good and I think she's a good singer. I think she looks good and she's got a nice kind of... I don't think she's got a sinister or cynical vibe around her, and I don't think she's got any sort of bullshit around her.
A lot of people go up there and think about what they're going to do - I just hit. I relax and don't think about anything. I just want to hit the ball as hard and as far as I can.
You win some, you lose some. You get hit you don't get hit, but it's not about how hard you get hit. I think it's about how hard you get hit, then still get up and deliver an even harder punch. I think that's what it is all about.
I think when Madonna did sexy stuff, she looked more in control. And I think it looked more like she was breaking boundaries. Today, it feels like it's pandering to everything that's wrong, and I don't think it's nice, especially for young girls.
I think Madonna is a wonderful performer.
You don't think much of the individual, because you don't think you've hit him and you hope that he will bail out or something; it's the aeroplane you've hit . . . normally it was more of a game if you like, you were outwitting and shooting down another aircraft, you were simply hitting metal.
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