A Quote by Mark Leibovich
I'm sure people are badmouthing me. I think one of the interesting parts about the criticism has been the tenor of "how dare he." How dare an insider speak critically about other insiders?
Related Quotes
. . . as far as the regime is concerned, well, the play is sheer terror for them. Because they feel, How dare - how dare anybody lift his or her voice in criticism against us? We have the guns. Their level of paranoia and power-drunkenness is unbelievable.
Love comes when manipulation stops; when you think more about the other person than about his or her reactions to you. When you dare to reveal yourself fully. When you dare to be vulnerable.
True, we must dare look things in the face before we dare think, speak, act, or assume responsibility. If we dare not even look, what else are we good for?
Dare to be what you ought to be, dare to be what you dream to be, dare to be the finest you can be. The more you dare, the surer you will be of gaining just what you dare!
To know how to say what other people only think, is what makes poets and sages; and to dare to say what others only dare to think, makes men martyrs or reformers.
Fear plays an interesting role in our lives. How dare we let it motivate us. How dare we let it into our decision-making, into our livelihoods, into our relationships. It's funny, isn't it? We take a day a year to dress up in costumes and celebrate fear.
I'm sure wine snobs look at me and think, how dare you.
Matt Millen, you draft a wide receiver every year. HOW DARE YOU SIR, HOW DARE YOU!
My love stories are about people who are reluctant to actualize what they so desperately want. They are timid, cautious, but eventually they dare to speak. My characters are not only hesitant; they are ambivalent about which way their libido flows: toward men or women? They are fluid in their sexuality, and this ambivalence says more about how we think about sex today than, say, Tinder. And this is a truly modern idea: Most of us don't know who we are sexually.
Jennifer Palmieri going after Kellyanne Conway and the first sound bite is a discussion of Steve Bannon and what a reprobate the Clinton people think he is and how dare you have somebody like that on your team. How dare you campaign on white supremacism. Jennifer Palmieri starts it off.
My music asks people to think critically, so how can I get upset when people think about me critically?
Shut your mouth! You dare speak his name with your unworthy lips, you dare besmirch it with your half-blood's tongue, you dare —
I speak the truth, not my fill of it, but as much as I dare speak; and I dare to do so a little more as I grow old.
The way I feel about Crunk Feminists. Here you have a bunch of bloggers who are not even quoting any feminists' works who are telling me what I can do better when I've been doing this as my life's work while y'all still in college! What are you talking about? And their criticism was of the idea that we should approach people like Rick Ross and Lil' Wayne with love when they have lyrics that we don't like, as opposed to approaching them with hate. That's their issue: How dare I say I approach Rick Ross with love!
The thing about education - and why I'm so passionate about the position and status of the university - is that it's supposed to teach citizens how to think better, how to think critically, how to tell truth from falsehood, how to make a judgment about when they're being lied to and duped and when they're not, how to evaluate scientific teaching. Losing that training of citizens is an extremely dangerous road to go down.
Unnamed entertainment industry moguls are now telling the New York Times that they intend never to work with Mel Gibson again. After all, how dare Mel Gibson challenge the public by producing a film that spurs public discussion, that pushes the envelope, that takes an old story to a new level. How dare Mel Gibson follow his own passion as a filmmaker. How dare he make $20 million on the opening day box office!
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