A Quote by Mark Linn-Baker

Many people mistakenly think of farce as broad low comedy. In fact, it's polished high comedy. — © Mark Linn-Baker
Many people mistakenly think of farce as broad low comedy. In fact, it's polished high comedy.
The myriad-minded man, our, and all men's, Shakespeare, has in this piece presented us with a legitimate farce in exactest consonance with the philosophical principles and character of farce, as distinguished from comedy and from entertainments. A proper farce is mainly distinguished from comedy by the licence allowed, and even required, in the fable, in order to produce strange and laughable situations. The story need not be probable, it is enough that it is possible.
When you're going for a big studio comedy, the joke tally better be pretty high, and you better have some big comedy set pieces. That was one of the issues when I was trying to get 'Swingers' made for the first time, which is that there weren't any broad comedy set pieces.
I think the first rule of comedy is that it has to be funny and I find a lot of the broad comedy which is sent to me, painfully unfunny.
I love straight-face comedy or relatively subtle comedy. And then I turn around and I find myself doing very broad comedy but it's all fun and you have to keep your sense of humor and not take yourself seriously.
I think I'm one of those guys who was sort of always in comedy. I thought of myself - and other people seemed to think of me - as funny from a very young age. I was a very young comedy nerd and I even did sketch comedy in high school and college. I wrote and shot sketches on video and acted in them.
Running my show is really like an actor being in repertory but where, in one day in one performance, you do scenes from a drama, a farce, a low comedy and a tragedy.
A rap is a tweaked version of comedy, because comedy came first. People weren't spitting before they were doing comedy. Comedy has been relevant for years. It's the same art form, pretty much. Discovering that and applying it, I think that has made my stand-up better.
I will do comedy until the day I die: inappropriate comedy, funny comedy, gender-bending, twisting comedy, whatever comedy is out there.
I think the world of comedy is a relatively small community, and especially for women in comedy, there just aren't that many people involved.
There are things in low comedy that make people uncomfortable, and there are things in high comedy that make people bored.
I like broad comedy. If I had an idea tomorrow for a film that was all slapstick and broad comedy, and it was an idea that interested me, I would not hesitate to do it because I enjoy watching these kinds of film.
If you're into comedy, you will know what the show is about. We have so many comedy geeks, comedy enthusiasts, fanatical people who go to comedy festivals and follow comedians, and really treat it like rock 'n' roll - which it can be, but more like the geeky rock 'n' roll.
I love doing comedy. You don't get many good comedy scripts. They're rare. But, I do love playing comedy. Even in drama, I like to try to find the humor because I think it's very human.
I think there's just too much comedy. Sometimes I get requests from people: 'How do I get into comedy?' And I always say that what we need is more people in health care. And less people in comedy.
I think that there's a fine line between comedy and drama. I think that ultimately, the less winking that's going on when you're doing comedy - and this is just my own thing, and maybe it's why I've never been hired in comedy except by Bill Lawrence - but I think that the less winking you do with comedy, the better off you are.
It bothers me when people say 'shock comic' or 'gross-out' because that was only one type of comedy I did. There was prank comedy. Man-on-the-street-reaction comedy. Visually surreal comedy. But you do something shocking, and that becomes your label.
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