A Quote by Mark Margolis
I saw an Emmy ad that AMC took out with all the 'Breaking Bad' nominees' photos, and there's my picture from the show. It's like World's Ugliest Man - I'm an automatic winner in that category.
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'Switched at Birth' has an amazing cast, including an Oscar winner and two Emmy nominees. The writing is very innovative, and the show's producers have redefined U.S. TV by launching a mainstream show which includes multiple deaf cast members whose characters communicate only in ASL (American Sign Language).
I think one of the reasons for the success of 'Breaking Bad,' and now for 'Better Call Saul,' is that we have been blessed by AMC and Sony with enough time to figure things out.
I really do think that Breaking Bad is probably the greatest television show that's ever been made. Just in terms of, everything, it's flawless. I can't think of one flaw with Breaking Bad. Every other show, even shows that I really, really love, they're not perfect. Breaking Bad, to me, is a perfect show.
It's just immensely frustrating that things like Breaking Bad get made that are kind of perfect! There's not even a bad episode of Breaking Bad, let alone a bad season. I want to be able to say, "Hey everybody, it's impossible to make a show where every episode is great!" No it's not.
I feel like I'm already a winner. I've made so many dreams come true. I'm here. Whether you walk away with a statue [ Emmy]or not, you shouldn't make it about it that necessarily. Everyone who's here in this house tonight is a winner.
I walk to Oxford Street and climb on the number 8. It's freezing and it starts to rain and it's the ugliest bus I've ever seen, rattling down the ugliest streets, in the ugliest city, in the ugliest country, in the ugliest of all possible worlds.
I'm a big 'Breaking Bad' fan - if I'm not in the script, I like to experience the show with the rest of the world. I'm ready to be shocked.
I will say, 'The Michael J. Fox Show' is funnier than 'Breaking Bad' - not that 'Breaking Bad' isn't funny, but this is funnier and slightly less violent.
Learning that aesthetic as a kid - seeing those photos - made me think that that's what photos are supposed to look like. I never understood snapshots. I was looking at them like, "This is horrible; that's not what a picture is supposed to look like." I was taught by these photos. So when I picked up the camera, though I had never done it before, I kind of already knew what I was doing.
Probably one of the happiest moments, outside the birth of all of my kids, was the first time we won an Emmy, that the show won an Emmy. That was a big night.
I, you know, am all over the place — every category of pictures I have made, good, bad or indifferent. I could not make, like Hitchcock did, one Hitchcock picture after another. … I wanted to do a Hitchcock picture, so I did `Witness for the Prosecution,’ then I was bored with it, so I moved on.
Why did they believe? Because they saw miracles. Things one man took as chance, a man of faith took as a sign. A loved one recovering from disease, a fortunate business deal, a chance meeting with a long lost friend. It wasn't the grand doctrines or the sweeping ideals that seemed to make believers out of men. It was the simple magic in the world around them.
I feel 'Breaking Bad' - maybe everybody says this about their show - I feel like this show is so special that I don't 'know' that I necessarily really know what it's like to do a regular show.
The great thing with comedy is that I don't memorize ahead of time like I did on 'Breaking Bad.' With 'Breaking Bad,' I wanted to know those words inside and out, really have my lines down so I could say them verbatim. But with comedy, you keep it a lot more loose.
Quite the ugliest face I ever saw was that of a woman whom the world called beautiful. Through its silver veil the evil and ungentle passions looked out, hideous and hateful.
I saw a man walk into my camera viewfinder from the left. He took a pistol out of his holster and raised it. I had no idea he would shoot. It was common to hold a pistol to the head of prisoners during questioning. So I prepared to make that picture - the threat, the interrogation. But it didn't happen. The man just pulled a pistol out of his holster, raised it to the VC's head and shot him in the temple. I made a picture at the same time. (On his 1968 photograph of the summary street corner execution of prisoner Nguyen Van Lem by South Vietnam's police chief, Lt. Col. Nguyen Ngoc Loan.)
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