A Quote by Mark McGwire
I care deeply about anyone who listens to my music. That's a sacred connection between the artist and the person who appreciates what you do - it's beyond words how meaningful that is. But I'm not going to stifle myself from trying new things because I feel like people that are already into my stuff might not like it.
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I feel like people being themselves and not being scared of judgment, they're putting that into their music, and it's like, 'Wow, they came up with something fire because they didn't care how you were going to feel about it. They didn't care if you were going to like it or not.'
My music is more like ghetto gospel; there's a message in my words, so people listen. Sometimes you might here different things; it depends on how you feel. You might feel down, and I might be the cat in the same sentence saying, "You need to get up and do your thing." And then I could be the same cat, when you at the top of your game, telling you, "It feel good, don't it?" but with the same words.
I feel like the reason people feel like they know me is because I'm giving you myself in the music. There's where the connection comes from; you can't Twitter that.
Formats are just illusions, and it's about the relationship between the person that makes music and the person that listens to music. Every time there's a new format, the iron is hot, and you can mold it.
I respect country music because I feel like it's more about the talent and the songwriting and I put on a big show and we have a lot of stuff, but I feel confident in myself enough as an artist and a singer that I can have all of those fun toys and know that we don't need all the bells and whistles either.
I think everyone is always asking themselves, How is my work meaningful, how is my life meaningful? As I get older, I feel like who I am as a person and a citizen is more important than who I am in my work. But I do think it reframed slightly for me, how much I have to care about a project in order to want to do it. Sometimes, obviously, you have a take a job for money. But I think I'm quicker now when I get a script that's, say, borderline misogynist, I'm not going to go in for it. I'm thinking more about what I'm putting into the world.
To me, it's never about the trick. I don't care about how something works. I care about how people feel when they watch it. You know, that - that connection - that emotional connection is true magic.
I'm not trying to say I'm this artist who is all artsy and that I only write music for myself, because I don't. I write music for other people to enjoy, so I think about if it'd be an idea someone else would like.
I feel like Sony appreciates good music from a talented artist.
Music saved my life. The voice you hear, the soul, the pain, is that of a person who deeply, deeply, deeply appreciates the opportunity they've been given.
Facebook is fantastic because it gives me contact with my fans, but I feel like it's not about the music anymore - it's about how many friends you have on Facebook and your Instagram pictures. I hate that. I feel so bad for the talented new bands that are working so hard, and they have to fight with these monsters where it's all about the appearance. I don't want to be a part of that - going to a festival and taking a selfie on stage. I feel like it's such bad publicity for music and for true artists, and I'll try to fight as hard as I can to not be like that.
I know like the Wiz Khalifah one, got me excited because I like his music, and its almost like you know I can relate to his music, so I feel like dang if he listens to my stuff and thought it was good then maybe I'm as good as him, you know what I mean?
I'm finding things out about myself as a person - as a writer - as I write, and so are the people who listen to what I do. But they have this additional aspect of how they take the stuff that I do, and so it broadens the work, and it creates this strange connection.
I feel like I'm kind of an obvious person. I like to keep some things in my life sacred, like keep the sacred, sacred. Apart from that part of my life, I'm a very open person.
I'm the type of person who listens to like sad music when I'm sad to feel sadder, and to feel sorry for myself.
I'm trying to figure myself out through my movies. Whether it's big stuff like what we're doing here, or little stuff like, 'Why aren't I happier?' With every film I feel like I'm apologising for something. I feel I'm most successful when I'm looking for something that embarrasses me about my character that I'd like to expose.
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