A Quote by Mark Millar

She was like John Rambo meets Polly Pocket; Dakota Fanning crossed with Death Wish 4. — © Mark Millar
She was like John Rambo meets Polly Pocket; Dakota Fanning crossed with Death Wish 4.
I always looked the tallest when I was in the group. I look like a giant next to Cheryl. She's like a Polly Pocket, she's very petite.
I'd like to be Dakota Fanning when I get young.
My dad named me Dakota and my mom came up with my first name Hannah. So it's Hannah Dakota Fanning.
After 'Somewhere' came out, people started to recognize me more. Whenever I was walking down the street, they'd be like, 'Oh, wow - are you Elle Fanning?' Before 'Somewhere,' they asked me if I was Dakota Fanning, because we looked alike, and I'd say, 'No, I'm her younger sister.
After 'Somewhere' came out, people started to recognize me more. Whenever I was walking down the street, they'd be like, 'Oh, wow - are you Elle Fanning?' Before 'Somewhere,' they asked me if I was Dakota Fanning, because we looked alike, and I'd say, 'No, I'm her younger sister.'
Dakota Fanning is my favorite actress.
The Secret Revelation of John opens, again, in crisis. The disciple John, grieving Jesus' death, is walking toward the temple when he meets a Pharisee who mocks him for having been deceived by a false messiah. These taunts echoed John's own fear and doubt.
Then with Lucy [Hale], her little thing that I kind of learned from her is her country music because she’s obsessed with country and at the beginning, I wasn’t a huge fan of it, but I was listening to some songs that she plays in the hair and makeup room and she’s also so funny, too. She does these character impersonations and they’re just so funny. Made up characters of course, but she can switch into someone else so fast. I’m always laughing at Lucy and she’s like a little Polly Pocket, you know? The tiny one.
Dakota Fanning is a child, but she is a wonderful actor. I don't know what a child actor is. She's an actor who's a child.
My publisher had mailed [Bret Easton Ellis] Richard Yates. And when I talked to him he said he had read all my prose books. And he said something like, "You got a lot of mileage out of Dakota Fanning."
In the secret pocket, she often kept a small pocket dictionary, which she would take out whenever she encountered a word she did not know.
Why did she give up wine for Lent? Polly was more sensible. She had given up strawberry jam. Cecilia had never seen Polly show more than a passing interest in strawberry jam, although now, of course, she was always catching her standing at the open fridge, staring at it longingly. The power of denial.
It was really cool to work with Dakota Fanning. I've watched her grow up and I've always loved her films, loved her. It was amazing working with someone who was American as well, because obviously it's going to be a different energy straightaway. We got on really well; she's so professional and hardworking.
Some of the stage outfits I've got are ridiculous. I'll lay out clothes to pack, and it'll look like Polly Pocket clothing - because it's all stretchy, it's tiny. I don't need a case when I tour; I can fit it all in my handbag.
I've just made a cancer drama, called 'Now Is Good,' directed by Ol Parker and starring Dakota Fanning. We filmed in Brighton and it's about a girl dying of leukemia, although it's not as depressing as it sounds.
Oh, father's gone to market-town, he was up before the day, And Jamie's after robins, and the man is making hay, And whistling down the hollow goes the boy that minds the mill, While mother from the kitchen door is calling with a will, "Polly!-Polly!- The cows are in the corn! Oh, where's Polly?"
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