A Quote by Mark Mothersbaugh

If you get rid of a lot of the poseurs by destroying record companies, maybe it's a good trade-off. — © Mark Mothersbaugh
If you get rid of a lot of the poseurs by destroying record companies, maybe it's a good trade-off.
When certain bootleg companies started off and they would take maybe ten per cent of whatever they got and help fuel new bands, which I'm cool with, I think that's a good idea. Most of the record companies are not doing that.
People tend to think about trade as if it's competition between companies - if Apple wins, Google loses. But that's false. Trade makes nations better off in general. Now, I want to be clear. I'm not saying that everything about trade is good and beneficial. Trade also has costs.
Maybe being good isn't about getting rid of anything. Maybe being good has to do with living in the mess in the frailty in the failures in the flaws. Maybe what I tried to get rid of is the goodest part of me. Think Passion. Think Age. Think Round. Maybe good is about developing the capacity to live fully inside everything. Our body is our country, the only city, the only village, the only every we will ever know.
The quicker we get rid of the lobby system the better for all of us. I don't think in this day and age it is tenable to have these nods and winks, and on-the-record and off-the-record briefings.
The old ways still apply. You can still send tapes to record companies, and there are record companies, you know, there are one or two of the record companies do declare proudly that they listen to every single one that comes.
Because record companies do not routinely release sales figures the way film studios do, the weekly charts in trade publications like 'Billboard' provide the best independent measure of record appeal.
Get rid of the preferences and the special deductions and the loopholes... and invest in getting the tax rate to a competitive level so we stop seeing companies move off shore.
I'd like to get rid of those streetcars, maybe phase them out. I'm not sure how we're going to do it but I'd like to slowly but surely get rid of those streetcars and maybe replace them with buses.
If you have good songs and a real desire to make music, the next thing to do, instead of approach record companies, is to get yourself a really good manager because then it allows you to focus on your profession of being a musician. Then they can focus on the darker art of the record label and the music industry.
When it all started, record companies - and there were many of them, and this was a good thing - were run by people who loved records, people like Ahmet Ertegun, who ran Atlantic Records, who were record collectors. They got in it because they loved music... Now, record companies are run by lawyers and accountants.
There is a growing subculture of barefoot runners, people who got rid of their shoes. And what they have found uniformly is you get rid of the shoes, you get rid of the stress, you get rid of the injuries and the ailments.
A lot of very popular mainstream artists are products of record companies and marketing companies, and any time anyone can stand outside of that, that's interesting.
If I want to do an orchestral record, if I want to do an acoustic record, if I want to do a death-metal record, if I want to do a jazz record - I can move in whichever direction I want, and no one is going to get upset about that. Except maybe my manager and my record company.
I hope there will be some good news and some good profits, and people will realize we have a lot of outstanding executives, and a lot of companies that are doing a good job, and those are good companies to invest in.
I think the good thing about the Internet is to give something away and to sell something else. Get a business model like that because the old brick and mortar record stores are falling apart, and the big record companies are collapsing under their own weight.
The record companies don't give you a chance, like in the old days when they went, 'Here's a pile of money. Go make a good record!'
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