A Quote by Mark Pellegrino

There's no hero without a villain. — © Mark Pellegrino
There's no hero without a villain.

Quote Topics

Everybody has a hero and a villain within themselves. So it depends upon you to be a hero or a villain. If you show humanity, it will give you satisfaction.
Villains are as important as the hero. Without the right villain, the hero isn't heroic enough.
If you have not been a villain at a certain point in time, you will never be a hero. And the day you are a hero, you may become a villain the next day.
It concerns me when I see a small child watching the hero shoot the villain on television. It is teaching the small child to believe that shooting people is heroic. The hero just did it and it was effective. It was acceptable and the hero was well thought of afterward. If enough of us find inner peace to affect the institution of television, the little child will see the hero transform the villain and bring him to a good life. He'll see the hero do something significant to serve fellow human beings. So little children will get the idea that if you want to be a hero you must help people.
Without the villain, the hero sits at home on his couch.
In the theater, as in life, we prefer a villain with a sense of humor to a hero without one.
It really doesn't matter whether it's the villain or the hero. Sometimes the villain is the most colorful. But I prefer a part where you don't know what he is until the end.
The only difference between a hero and the villain is that the villain chooses to use that power in a way that is selfish and hurts other people.
Character artist, villain, comedian, comedy villain, hero - he has been perfect in them all. That's Mohan Babu. His dialogue delivery is perfect.
I'm sure that there must have been times when you have read books or watched films and found yourself secretly wishing for the villain to win. Why? Isn't that against the rules by which our society lives? Why should you feel this way? It's simple, really; the villain is the true hero of these tales, not the well-intentioned moron who somehow foils their diabolical scheme. The villain get's all the best lines, has the best costumes, has unlimited power and wealth- why on earth would anyone not want to be the villain?
You can't watch 'Daredevil' or 'Jessica Jones' or the Marvel films and not be aware that the villain has to be awesome. I've always wanted to have more space. And the scope, morally, is more broad for the villain than the hero.
In any story, the villain is the catalyst. The hero's not a person who will bend the rules or show the cracks in his armor. He's one-dimensional intentionally, but the villain is the person who owns up to what he is and stands by it.
Since most heroes are doing villainous roles these days, that thrill is lost. Earlier, there used to be a hero, a heroine, a villain and such. The villain's entry would generate a lot of curiosity among the audience back then.
I love to play with the notion of who the protagonist is - who is the audience supposed to root for? I did it in 'Sicario' and feel it was the strength of the script - guiding the audience's allegiance toward the villain because they think he's the hero, until it's revealed that he's the villain.
I would love to, on one project, play a villain. Any kind of villain. Any kind of antagonist. Somebody who's just rotten but fun, or the anti-hero.
My theory of characterization is basically this: Put some dirt on a hero, and put some sunshine on the villain, one brush stroke of beauty on the villain.
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