A Quote by Mark Pincus
I like to bet on people, especially those who have taken risks and failed in some way, because they have more real-world experience. And they’re humble.
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I like to bet on people, especially those who have taken risks and failed in some way, because they have more real-world experience. And they're humble.
The Moulin Rouge is, like the West Village and the Nasdaq, one of those places that people who don't like to take risks come to for the thrill of being on the spot where risks once were taken.
The way the Statute of Rome is written, responsibility for war crimes can be taken all the way up the chain of command. This is the sort of investigation that some people who live in Fairyland might like to undertake, but which bears no relationship at all to conditions in the real world.
The trouble is that the risks that are being hedged very well by new financial securities are financial risks. And it appears to me that the real things you want to hedge are real risks, for example, risks in innovation. The fact is that you'd like companies to be able to take bigger chances. Presumably one obstacle to successful R&D, particularly when the costs are large, are the risks involved.
The reason socialism has failed around the world every time it's been tried is because people in socialist countries have looked at the United States and have said if they can have it that good, we can. It's a failed, flawed ideology, but if you ask socialists why it's always failed, it's because the United States has stood in the way.
It`s probably fair to say I have taken myself too seriously on some jobs. I`m sure I`m more guilty of being difficult than I`d like to remember. I don`t regret my desires; I`ve regretted the way I would communicate my desires. Maybe I`ve lost a job because of some rumor, I doubt it. But nobody good that I`ve worked with has ever said anything negative about me, because we`ve never had a negative experience. By good, I mean directors who do their homework, people that are passionate, crazy, never sleep, and do like I do and just go after it.
I think the International Criminal Court could be a threat to American security interests, because the prosecutor of the court has enormous discretion in going after war crimes. And the way the Statute of Rome is written, responsibility for war crimes can be taken all the way up the chain of command. This is the sort of investigation that some people who live in Fairyland might like to undertake, but which bears no relationship at all to conditions in the real world.
I just like country because a lot of those guys are from towns that I'm maybe from, for one. But also, I like how humble they are, and they're genuine people, I think. I'm not saying that rappers or rock and roll, those people, aren't. But I just feel like I get along with those guys because they're from small town.
I try to be as humble as possible and try to project that to the world. But some people don't see that. They think I'm just in Atlanta spending money. But I try to be humble. I try to let the world know that I am still humble.
Phonogram was explicitly about our world. It’s a fantasy which is happening around us all, unnoticed except for those who’ve fallen into its world. In a real way, it’s real. Conversely, W+D is much more overt. The appearance of the gods changes the world, and has changed the world going back. There’s the strong implication that certain figures in our world simply didn’t exist in The Wicked And The Divine‘s world, because they were replaced by a god.
The way that people are watching TV is changing. The landscape of television is changing. Movies are becoming much more insular. They're like a walled garden, where you know what you're going to see and you expect it. But in the world of TV, because it's episodic, you can explore any area because you have time to do that. You can take risks on the kinds of storytelling that you're doing.
I think some people have this thing where just because you do singles that means you're not a real artist. It's like hold on a minute - I'm selling millions of records here and been streamed billions of times... How can I not be taken as a real artist just because these songs are singles?
I've taken a lot of risks as far as turning down money to do something I guess I thought was more meaningful. But I don't know if that's the best piece of advice, because I've also struggled with money, when I could have had a little more if I'd just taken the damn job.
Risks are a measure of people. People who don't take them are trying to preserve what they have. Some risks have a future, and some people call them wrong. But being right may be like walking backwards, proving where you've been.
Throughout the human experience people have read history because they felt that it was a pleasure and that it was in some way instructive. The profession of professor of history has taken it in a very different direction.
I think all people who've been on 'Strictly' like to talk to others who've been on the show and share their experience. And it's always exactly the same. You go through the same emotions. It never quite leaves you. It's always just here somewhere. It's a real magical thing to have taken part in. It's not so much a job - it's more of an experience.
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