A Quote by Mark Roberts

Nudity, in the right way, can enhance a film or a TV program or a TV commercial. If it's done tastefully it can make it more of an interesting product. — © Mark Roberts
Nudity, in the right way, can enhance a film or a TV program or a TV commercial. If it's done tastefully it can make it more of an interesting product.
In England, there are so many TV commercials with nudity in them, and there are so many TV programs that show nudity on a regular basis. It's becoming more of a norm.
There is something spurious about the very term 'a movie made for TV,' because what you make for TV is a TV program.
For me, as an actor, going from TV to film was interesting because TV and film are two very different things.
I rarely watch TV, and in the past two years, I've done three TV shows. It's quite interesting.
The barrier between TV and movies has come down and film actors are willing to do TV and vice versa, because they just want to follow what's interesting.
I would make the movie industry more like the television industry. TV is more material driven. In TV, you can break new stars. TV can take more chances.
When I got to 'Looking,' I didn't know that you could write stuff and they would put it on TV. That was that experience. My boss was Andrew Haigh and he came from film; he had never done TV. It was his first TV show, and he was running it. And I think he was like, 'Write it, and we'll put it on.' It was lovely.
In film, it's up to the director to tell the story in whatever way he sees fit, and however you fit into that ultimate vision is where you fit in. So what you did on that stage, on that set, may not be what you ultimately see when you see the final product. And TV works so fast, it works so fast, it's just about product. The average TV show, one episode shoots eight, 10 days. That's it. You get three or four takes for a scene, and then it's over. But people do it for the money.
Doing TV shows helps me a lot in my screenplay writing and filmmaking, especially since my TV shows are in different formats: comedy sketches, talk shows, debate programs, art variety shows, quiz shows. These enable me to meet interesting people with interesting stories and to learn about interesting subjects, all of which I can reflect into film.
In film, you get to take your time and make it right. In TV, it's all about the schedule. The train is moving and you sometimes just don't have time to make things right, which is painful 'cause you know it could be done better and you just have no choice.
The most frustrating part of working in TV and film is that you have to convince someone to let you make what you want; in comics you can do whatever you want and for 1% of the budget of TV and film.
I grew up in a town with no movie theater. TV was my only link to the outside world. Film wasn't such a big deal to me. It was TV. So much so, that when I meet TV stars now... Not my co-workers, but real TV stars, I get nervous. I freak out around them.
I've always believed that the best way you combat intellectual property theft is making a product available that is well priced, well timed to market, whether it's a movie product, TV product, music product, even theme-park product.
TV has a longer narrative, and TV's more like short stories. So there's less rules with TV; you can make it a little bit different. [With] movies, the medium has more constraints, so it was just about what stories are the most cinematic and the best resolution.
If there's one thing that I've done on purpose it's to take whatever job, so long as it's interesting and challenging, whether it's theatre, radio, TV or film.
I'm a musician. I've done TV, but I've never really been a reality TV star, and it's not the route I'm looking to go down, and when I do TV, I want it to be connected to music.
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