A Quote by Mark Rothko
The reason for my painting large canvases is that I want to be intimate and human. To paint a small picture is to place yourself outside your experience, to look upon an experience as a stereopticon view or with a reducing glass. However you paint the larger picture, you are in it. It isn't something you command.
Related Quotes
The reason for my painting large canvases is that I want to be intimate and human.
I like painting because it's something I never come to the end of. Sometimes I paint a picture, then I paint it all out. Sometimes I'm working on fifteen or twenty pictures at the same time. I do that because I want to - because I like to change my mind so often. The thing to do is always to keep starting to paint, never finishing painting.
If you paint a picture and I paint a picture, we each want to do it our own way. And we'll stand or fall on whatever we did.
If I was painting a picture, I wouldn't want to take a picture of a single paint stroke. I'd rather show people what it looks like when it's done.
Photography has almost no reality; it is almost a hundred per cent picture. And painting always has reality: you can touch the paint; it has presence; but it always yields a picture - no matter whether good or bad. That's all the theory. It's no good. I once took some small photographs and then smeared them with paint. That partly resolved the problem, and it's really good - better than anything I could ever say on the subject.
In my experience a painting is not made with colors and paint at all. I don't know what a painting is; who knows what sets off even the desire to paint?
Vision is a picture of a desired future; a picture of something that I don't possess right now, but it is something I want to see and experience, and something I want the people I am leading to experience.
What you do when you paint, you take a brush full of paint, get paint on the picture, and you have faith.
I know I can not paint a flower, I can not paint the sun on the desert on a bright summer morning but maybe in terms of paint colour I can convey to you my experience of the flower or the experience that makes the flower of significance to me at that particular time.
I've certainly always had a very high regard for Botswana and so I paint a very good picture of the country and I've never pretended to be painting an entirely realistic picture.
Envision what the end result is supposed to be... what do you want to be when you grow up? Where do you see yourself? Once we identify what the painting on the wall is, it is so much easier to bring in the right colors, canvas and brushes to paint that picture.
The pictures come to me in my mind, and if to me it is a worthwhile picture I paint it I do over the picture several times in my mind and when I am ready to paint it I have all the details I need.
It takes two guys to tell a story, paint a picture, so our audience can be entertained and brought into the match. You need to suck people in emotionally to a match, and it takes both parties to paint that picture.
Painting allows me to use other portions of my brain pleasurably. Irony plays no part in what or how I paint. I paint the particular subject matter not to make polemical points but because I am interested in the human imprint on the landscape. I paint the landscape of my time and place with the stuff in it.
If you're a painter, paint. But you don't have to put Jesus in every picture. Paint well, and if you paint well enough, they might ask you why you do that.
Help people to meditate, because there is nothing more creative than meditation. Each art and each creativity can be tremendously enhanced by meditation. If somebody is a painter and he starts meditating, his painting will have a sudden jump, it will become tremendously profound - because whatsoever you paint reflects your mind. If the mind goes deeper, your painting will go deeper. You paint your mind. What else can you paint? You paint yourself.
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