A Quote by Mark Rothko
And last, it may be worthwhile trying to hang something beyond the partial wall because some of the pictures do very well in a confined space.
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I feel so fortunate, Because some people think, well you're just relegated to the sideline. But I feel valued there. They trust me. We work very, very hard at making it worthwhile. We are not going to just be down there spewing a bunch of blah. With our halftime talking to the coaches we are really trying to get something meaningful there and something that helps spin the game forward.
True hope is based on the energy of character. A strong mind always hopes, and has always cause to hope, because it knows the mutability of human affairs, and how slight a circumstance may change the whole course of events. Such a spirit, too, rests upon itself; it is not confined to partial views or to one particular object. And if at last all should be lost, it has saved itself.
When I was a kid, I was a bit of a space geek. I loved the space program and all things NASA. I would read books about our solar system; I had pictures of the Space Shuttle on my bedroom wall. And yes, I even went to Space Camp.
Well, painting today certainly seems very vibrant, very alive, very exiting. Five or six of my contemporaries around New York are doing very vital work, and the direction that painting seems to be taken here - is - away from the easel - into some sort, some kind of wall, wall painting.
To do something well is so worthwhile, that to die trying to do it better cannot be foolhardy
I've always been interested in space in pictures. I think my going deaf increased my spatial sense, because I can't get the direction of sound. I feel that I see space very clearly, and that's because I can't hear it. So it's a compensatory thing.
The one thing I never get involved with is selecting art or pictures for a client. This is a very personal thing. If the clients have pictures, I will hang them. When they do not own pictures I leave the walls blank.
I think I was very interested in the space program as a kid, watching the first Apollo missions to the moon, and it's something I thought that would be a lot of, of fun and exciting and a very worthwhile job.
The people with very hard problems are understood by God. He knows what wretched machines they are trying to drive. Some day he will fling them away and give those people new ones; then they may astonish everyone, for they learned their driving in a hard school. Some of the last will be first and some of the first will be last.
I did all the stuff that people do - film, performance, photography, pictures and words, words and pictures. In retrospect, I was trying to find some way to put things - meaning images and forms - together that highlighted some idea of what was underneath the surface of an image, what determined how something was seen.
Keep your mind open. You may very well learn something new about yourself and your pictures.
Music will always be apart of my life, I have been given a gift of song and voice and I have to use it. I don't have a mapped out time when I should hang up my mic because what I may think is my time may very well be a time to continue.
I have so many photos of myself in my room when I was a kid; I had one wall that was all TLC posters that I got free at some record store, then another wall was all Public Enemy, and the last wall was all '90210.'
A short term view will lead to a partial and perhaps twisted view of the whole picture. A crucial element may be missing. We may not be running the entire race. A friend of mine described a colleague as great at running the "ninety-five yard dash." That is a distinction I can do without. Lacking the last five yards makes the first ninety-five pointless. In fact, serious runners thing of it as a 110 yard dash so that no one will best them in the last few yards. You've got to think beyond the whole.
I started collecting art... simply because I wanted pictures to hang on the wall. I noticed what a difference a picture could make to the ambience of a room, and indeed how shifting work around could change a room's whole feeling.
I think, ultimately, the problem with something like this is that you actually have so many more opportunities to say something than you actually have things worth saying. And then, as an artist who doesn't want to do bad work, gosh, how do you fill up all that space when you really don't have anything actually worthwhile to say? And that's what makes the job tough, because the fans get mad - "That's not funny," or "You've been sucking for several months now." And you go, "It's not my fault! I'm trying."
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