A Quote by Mark Ruffalo
As an actor, you want to remain vulnerable. You don't want to always have all the answers and you want to be fine doing things in the moment with your fellow actors.
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Actors go, 'I just want to act.' And I say to them, 'You know, stop for a second and think about what charges you up the most. Do you want to be on the stage, do you want to be in film, do you want to be a comic actor? Do you just want to make it for the money and capitalize on your look and do commercials and soaps?'
what I want you to be - I don't mean physically but morally: you are very well physically - is a firm fellow, a fine firm fellow, with a will of your own, with resolution. with determination. with strength of character that is not to be influenced except on good reason by anybody, or by anything. That's what I want you to be. That's what your father, & your mother might both have been
People want their actors to do comedy, too. They don't want any comedians next to the actor. They want one solo hero and want to see everything in him.
Actors want to act; actors want to emote. It's like the emotional equivalent of tearing your shirt off and screaming to the heavens: you want to express, and you want to be seen to be expressing.
I think many young actors want to be daring. They want to surprise their fellow actors as well as their audiences.
It’s amazing how lonely you can feel and like nobody understands…The moment you are vulnerable, someone always reaches out….They go through the same things. I want them to feel comfortable knowing that I have flaws as wells. I want them to know those flaws. I’m afraid of the pedestal…I want to be a peer to my fans
I always try to stick to the script because I want to respect the writers, and I want to respect the director. But if the director and my fellow actors are okay with me playing with it a little bit, then I definitely want to play with it.
I've always believed that the director does whatever the hell he wants. That's what you sign on for as an actor - I can't stand it when you have actors who are trying to leverage directors into doing things they don't want to do.
Audiences want Burt, John Wayne and others to go on doing the same thing forever. It's critics and the actors themselves who want actors to try different things.
I'm a spreadsheet guy. But you get to that moment of truth, and it has nothing to do with a spreadsheet. You've got to factor in what your competitors are doing, what the technology is doing, what your shareholders want, what your employees want, what your customers want, and you've got to make it happen sometimes.
I think it's so important as an actor that you hang on to your own inner compass, because so many people want to guide you - 'This is what you should you be doing'. But I want to do different things.
I don't want to become an item girl, I want to be an actor and want to remain so.
I had always shown childhood as something difficult, something you want to get the hell out of, but now I wanted to do a story that was the opposite, about that moment in time when you're in that world of discovery, doing what you want to do. That fleeting moment when you're in your zone.
I could never really imagine myself doing one thing, and I'm pretty sure that I'll end up doing four or five different things. I want to be a Renaissance woman. I want to paint, and I want to write, and I want to act, and I want to just do everything.
I don't want to infantilize the actor; I want to empower the actor. Actors can be many things, but all of the really good ones are really great storytellers, and I'm interested in that. If you're not interested in that as a director then you better be Stanley Kurbrick.
There is still so much that I want to see and do, but for me, it's the pure satisfaction of doing what you really want. I always had a problem doing things that I didn't want to do. I don't have a problem when my director says: "Don't do it like this; I want it like this." But generally in life, I like to do what I want, and for me the best way is through acting and making films.
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