A Quote by Mark Ruffalo

I didn't like the distance between my family and myself that I was experiencing from having to work all the time. — © Mark Ruffalo
I didn't like the distance between my family and myself that I was experiencing from having to work all the time.
Everyone who's in America spends the first few years not experiencing it. The person is frightened by the newness of the place and doesn't see things. Her emotional universe becomes the entire universe. And then when she thinks of home, her distance in space can seem like a distance in time.
I love a period drama - the theatricality of going into work and having that distance between yourself and the character you're playing.
Although I have a busy work schedule, I make sure I spend time with my family and create a balance between my work and family life.
Photography is a way of putting distance between myself and the work which sometimes helps me to see more clearly what it is that I have made.
In 1980, after 10 years at 'The Times,' I was at a crossroads in my personal life. I loved my family, but I was also so obsessive about my work that I found myself devoting more and more time to it. I wanted to be everywhere there was a good story, and that meant I had to choose between that and being with the family on important days.
It is as though the space between us were time: an irrevocable quality. It is as though time, no longer running straight before us in a diminishing line, now runs parallel between us like a looping string, the distance being the doubling accretion of the thread an not the interval between.
I see myself as having three families: my birth family, the family that raised me, and my Cree family, who I was reunited with in my late teens, so I consider myself to be lucky.
I think there was a time when I considered myself a work addict, but that's no longer accurate. My life has changed so dramatically over the last number of years, especially having a family now. My priorities have shifted.
Ideas are easy to come by, they spring effortlessly out of the vacuity of the mind and cost nothing. When they are held and projected onto one's self or others they become a project. When the project is enacted it becomes the work, and when the work is completed it appears to be self-existent. Creation is the process of form manifesting from emptiness, where that which arises from the mind comes into existence. Yet the distance between conception and realisation may be enormous, as vast as the distance between the stars.
I spent years thinking I had to make a choice between being true to myself and being with a man and not having a family, and trying to live something of a lie and being with a woman and having children.
I'd like to someday see myself married to my true love and starting a big family, and at the same time still having an artistic job.
The vast majority of unfaithful people are experiencing a conflict between their values and their behavior, and that is the mess of infidelity. It's not an either-or. The idea that you would ask, "How can you say you love your husband and you want to stay married, and you also are having an affair?" Because we are not the same woman, or the same man. Because sexual revolutions don't take place at home. Because for most of us, freedom wasn't something that we experienced in our family, but usually outside of our family.
Obviously, a long-distance relationship is hard. But, like anything worth having, you make it work.
In her previous novels, Maggie O'Farrell has often measured the distance between intimates and the unexpected intimacy of distance - geographic, temporal, cultural. In 'The Hand That First Held Mine' and 'The Distance Between Us,' characters separated by many miles or many years turn out to be joined in ways they never anticipated.
I use the Internet a lot. I don't necessarily constantly communicate with my fans or whatever, but it would be hard to distance myself. I just couldn't do it. It's like not having a phone.
It is the shared experience - [although] you're the conduit of the sound, the recipient is also in some way the author of the work, because if they weren't the author of the work they wouldn't be able to recognise it as an experience, you could argue. The more distance you can put between yourself and having any kind of objective the more likely it is to appear.
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