A Quote by Mark Ruffalo
Most great parts for guys in wheelchairs tend to go to actors who walk.
Related Quotes
In Paris they have special wheelchairs that go through every doorway. They don't change the doorways, they change the wheelchairs. To hell with the people! If someone weighs a couple more pounds, that's it!
I had a niche. And my niche was that I was brown. So it's like, 'Great, I get to go up for all these 'brown parts.'' I call them 'brown parts' because that's what they are. That's not to be resentful, because I loved playing those parts - I got to meet so many cool actors.
There just aren't many little guys who are good actors. They don't get the training; they don't go to RADA. There just aren't the parts for dwarfs, and if you like it or not, you're typecast as a dwarf.
If you have a great part, you have the opportunity to give a good performance. The greatest actors get the best parts, and the best parts make the greatest actors. There are plenty of people who are as talented, who just never got the part.
I don't think I have a demographic. I was at Comic-Con in San Diego recently, and I was doing a signing, and my line was all military guys, young girls, housewives and guys in wheelchairs. There was just everybody all over the place.
I like exploring both the light parts and the dark parts of a single person. And all of those shades tend to come out most acutely in stories about families.
And the actors tend not to want to watch themselves very often. I'm one of those guys.
People who couldn't walk, they'd come in wheelchairs, and he'd make them walk. It's just the power of God. It wasn't my dad; it's what God had instructed my dad to do.
I think it's quite common for actors to almost rely on their characters to exercise parts of themselves in their regular life they don't tend to explore so much.
Usually I design the lighting and when I have the physical set there, I'm not good at going out loosely and saying, 'Do you what you want, give it to the editor, and he'll figure it out.' I physically then walk on with the actors and I say, 'Let's walk until you guys feel the space works for you, and tell me when all that happens.'
Usually I design the lighting and when I have the physical set there, I'm not good at going out loosely and saying, 'Do you what you want, give it to the editor, and he'll figure it out.' I physically then walk on with the actors and I say, 'Let's walk until you guys feel the space works for you, and tell me when all that happens.
I've always written for actors, and if you want to write for good actors, you have to write parts that are surprising, that are human, and that allow them to go to a wide range of places.
Do we tend to recall the most important parts of a novel or those that speak most directly to us, the truest lines or the flashiest ones?
The research is the most interesting part… That’s how I work. I go some place and I walk it and I talk to people until I find what I’ve come for. Or not. Fortunately, I tend to find what I’m after.
Every person with a disability has a slightly different kind of disability. Not everybody has the same problems. Usually the wheelchairs are the wheelchairs. It's the same height and so on. It's a problem.
Like students of art who walk around a great statue, seeing parts and aspects of it from each position, but never the whole, we must walk mentally around time, using a variety of approaches, a pandemonium of metaphor.
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