A Quote by Mark Ruffalo

I don't want to feel like I'm stuck doing one-stock performances. — © Mark Ruffalo
I don't want to feel like I'm stuck doing one-stock performances.
It's something that I feel every young person goes through, this idea that they're not doing enough, or that they're stuck. Definitely when I was in high school I was like, 'What am I doing here, I want to be an actor, instead I'm just stuck at school and I'm not doing anything.'
If you experience that feeling of being in a rut in your life, then something's not right. A lot of people who feel that way don't take the time to say, 'O.K., well, what am I doing? Is that what I want to be doing? What is it making me feel this way?' You have to identify what specifically is making you feel stuck.
My number-one goal is to never feel like I'm strictly defining myself. The minute I feel like I'm doing that as anything - as theatrical, as feminist, as songwriter - I feel like the minute I name it, I'm stuck in a box.
I don't feel like it's pressure. It's more of an obligation - not to entertain or be funny, but to have a certain levity. I mean, there's got to be a lightness in your leg. You have to be as light as you can be, and you don't have to be weighted down, stuck in your emotions and stuck in your body, stuck in your head. You just want to try and elevate something.
I want to always be an interloper. I never want to feel like I'm a guy who is embraced by the people who are putting me on the air. I want to feel like I broke into the studio and took over and made them mad. If I'm not doing that, I'm not doing my job.
I'm that type of person that if I feel like I'm doing the same thing in life, then I'm stuck. Always gotta be moving and doing something different.
I feel like if you're stuck doing the same thing your whole career you've got to be doing something wrong. Unless you're getting great results from it or you're just comfortable in that spot.
At the end of whatever we're doing, I always feel like I want to go back and start over again because now I have a better sense of what it is. I feel that with everything. Like, if you're doing like a long run of a play and you're doing it seven shows a week, at the end of it, I want to go back and start from the beginning.
The clubs usually enforce no filming of performances pretty well. I want to know that what I'm doing is in the here and now and it's mine. I absolutely want control over my performances. And it is actually scary to see someone filming you without permission. Like Big Brother is watching. All these cameras don't make up for a life that isn't well-lived! I agree that people don't live in the moment, they instead live to make a name for themselves as "people who are living exciting lives and at great events".
The idea of doing a production of 'Carousel' that doesn't feel like it's stuck in the 1950s really intrigues me.
Often people talk about how they feel 'stuck' in a situation. You're never stuck! You may be a little frustrated, you may not have clear answers, but you're not stuck. The minute you represent the situation to yourself as being stuck, though, that's exactly how you'll feel. We must be very careful about the metaphors we allow ourselves to use.
I feel like a lot of my fans hold high expectations of me when it comes to inside the Octagon - not so much outside of the Octagon - but I feel like most of my performances are pretty dominant, so I don't feel like I have the luxury to not perform in an extremely impressive fashion.
I feel like doing basic, casual pieces and then doing really elevated, more unexpected things is becoming more possible. I feel like I do eventually want to be able to address more categories, like active or evening.
I've been doing a lot of internet performances... it's really weird for me to not feel the crowd, to not feel the people in front of me.
I don't want to get stuck practicing basketball all day, so that's why I'm always moving: because I don't like to be stuck in one mind-frame.
There are some movies that you feel like doing because of the script. Some because it sounds like fun, some because that's the director you want to work with, some because it's a project that you want to be involved with, and some because you will be paid lots of money. But the bottom line is I must feel like doing it.
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