A Quote by Mark Rylance
I have a lot of ideas come to me when I'm working that are different from the plan, and sometimes that can be a little overwhelming and difficult for directors.
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Ideas for stories come in really different terms and really different ways for me. Sometimes they're from books, sometimes they're just kind of out of the air, from nowhere, sometimes they're biographical, or sometimes they're other things [everyday life].
The techniques of different directors are very different, and people have different ways of expressing ideas in film. I'm happiest when working with a director as I would be if I were an actor. I'm wanting to provide a really good performance.
I'm a difficult person, sometimes, to work with because I'm so intense about this stuff sometimes, and I get focused in ways that I think can be overwhelming for me and also the people I work with, where I'll get so about every little bug in the thing, every little line.
All my life, I've been working with male directors, which I've really enjoyed. And I'm lucky in that I've worked with men who have a lot of respect for women. But working with a woman is a different experience. It feels like the communication is different.
I do a job and am lucky enough to do a job that I love, but it is a hard one. I'm not saying it is as hard as working in a coal mine, but it is still difficult in a different way. Sometimes you have to go through very strong emotional journeys and then come back to yourself. And that can be difficult to control.
The most difficult thing about music videos is that a lot of young filmmakers come into the medium, and they have so many different ideas, but they need to understand what the musician wants.
Your ideas dry up sometimes, and you get lazy sometimes 'cause you're around the same people. That was the good thing about having different directors. You had to stay on your toes.
A lot of sneaker brands come to me, not even just designers. They come to me with ideas trying to push different things, and I want it to be stuff that I feel is organic.
I do like to work with young directors because it's such a difficult business that I think after directors have been around a while sometimes, not always, but sometimes their passion gets siphoned off because they get hurt.
I like directors who come on the set and create something that's a little dangerous, difficult or unusual.
I'm sketching ideas. They're a completely different way of working than working with editors at a magazine where you're always working with permission; approval. I'm willing to make a gentle separation. I still need to do that work since I enjoy it. It gives me access to a lot of energy in life and culture. But also, there's a part of me that is dark, sarcastic, funny. Unpredictable, even naughty.
Sometimes, when you work with directors who have done it a lot and are established in the business and know the game, there are all these rules that they have. First-time directors will allow you to come in with choices. They're not so jaded by actors that they're like, 'Ugh, just do your job, man.
Sometimes, when you work with directors who have done it a lot and are established in the business and know the game, there are all these rules that they have. First-time directors will allow you to come in with choices. They're not so jaded by actors that they're like, 'Ugh, just do your job, man.'
Most of my story ideas come from my childhood. Sometimes they hatch from stories my parents told me, sometimes they come from experiences in my own life, and sometimes they are inspired by mere moments.
I've had really great experiences working with first-time directors. They come at filmmaking with fresh ideas. I've been very lucky that way.
I enjoyed working with Vikram Kumar, as he is an amazing director who is full of ideas, and he tells me that he has different compartments in his brain in which he places different story ideas and works on them simultaneously.
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